“... most recent Christmas issue of French Vogue, dedicated to ‘Noël en Musique’, had on its cover a photograph of Kate Moss done up as Ziggy Stardust. The picture is a monument to improbable staying power. It’s more than two decades since Moss was photographed by Corinne Day for the ...”

“... Ican list​ a hundred things David Foster Wallace should have written before he wrote a book about tax accountants. One, and the most obvious, is a novel about Irish dancers on tour with a Michael Flatley figure whose influence grows more sinister over time ...”

“... By​ the time his first opera, The Midsummer Marriage, had its premiere at Covent Garden in 1955, Michael Tippett was considered, alongside Benjamin Britten, the most significant and original British composer of his generation. Yet he was also the natural outsider in a scene that as well as Britten (born 1913), included William Walton (1902) and Lennox Berkeley (1903), with the reassuring presence of Ralph Vaughan Williams (1872) hovering over them all ...”

“... A new history of the British Empire might be expected to concern itself with such issues as the construction of military dictatorship through the imposition of martial law; the violent seizure and settlement of land; the genocidal destruction of indigenous peoples (and their culture and environment); the establishment of what is now called ‘institutional racism’; and the continuing coercion and induced movement of labour ...”

“... Stravinsky was a dull correspondent, but at least he was Stravinsky. His wife’s letters to him, which preponderate over his to her in Robert Craft’s new selection of Stravinskyiana, Dearest Bubushkin, have biographical importance but do not all that frequently rise above the level of any wife to any husband ...”

“... space than have raced in Formula 1 Grand Prix. This doesn’t mean that it’s harder to become an F1 driver than an astronaut. But motorsport is incredibly expensive and the pool from which drivers are drawn is tiny. A modern F1 car costs around £10 million to manufacture. The most ...”

“... to ‘those born after’, saying that Hatred, even of meanness Makes you ugly. Anger, even at injustice Makes your voice hoarse. Oh, we Who wanted to prepare the land for friendliness Could not ourselves be friendly‘Could not be friendly’ is a discreet but painful understatement, a ...”

“... Peter Green’s splendid new translation of Catullus makes quite a substantial volume: more than three hundred pages in all, with an introduction, parallel text in Latin and English, notes, glossary and index. Such treatment doesn’t feel quite right for this ‘new witty booklet, all fresh-polished with abrasive’, as Catullus describes the book he dedicates to Cornelius Nepos in poem 1 ...”

“... After​ three or four hours in the Linbury Galleries at Tate Britain, examining, admiring, taking notes on the Late Turner exhibition (until 25 January), I wandered into the café to take the weight off my feet and to read the reviews I had downloaded from the exhibition website on my tablet. I had been careful not to read them until after my visit, but now I wanted to see if I could use them to get me started on my own review ...”

“... Six months ago, as the number of guerrilla attacks and suicide bombings increased, an Iraqi friend in business in Baghdad used to comfort himself by saying: ‘The Americans cannot afford to fail in Iraq.’ But as the country gets closer to civil war his confidence has ebbed away ...”

“... sorts and seeing them ‘cut’, or broken, although he does not himself seem to have been much of a swimming man. In the verses on Hero and Leander he develops a contrast, as often in his poetry: in this case, between a classic place and story and ...”

“... around 800,000 people died from the effects of air pollution. That didn’t. Novelty counts for a lot. At the start of the pandemic, it was considered unseemly to make comparisons like these. But comparing the value of human lives is one thing the machine of modern civilisation does relentlessly, almost invariably to ...”

“... gods, of genos, race, kind and offspring – is one of the great feats of the human imagination: a vast collection of stories, both intimate and cosmic, that bind the living to the dead and to one another, the past to the present and the present to what is to come. It is a primal work of culture, ...”

“... Money: Walking Plutocratic London, she describes the overweening spike of Renzo Piano’s Shard as ‘a glass and concrete arrangement of the Qatar sovereign wealth fund’.* The loudest crimes are hidden in plain sight. Look around, you can’t miss them. The topography of complacent surrender. She has ...”

“... As the Royal Opera House staged its grand reopening, two of its former bosses filed conflicting accounts of its recent history. Both John Tooley (1970-88) and Jeremy Isaacs (1988-97) describe the House’s considerable achievements over the past half-century; and Isaacs’s part in pushing through the magnificent rebuilding was heroic ...”