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“... Ionce​ witnessed Stephen Spender being evil in a London club. A mandarin of poetry, he seemed almost fluorescent with stories and vital resentments, twisting the stem of his glass as he offered opinions about Sergei Diaghilev and the Maharishi, with stop-offs at T.S. Eliot, Judy Garland and the queen mother. I had no time to roll my eyes because I was busy concentrating and trying not to laugh ...”

“... on family business. Julian sent me a message while I was in the Highlands saying ‘Big up, Mr O’Hagan,’ a reference he knew I would get to what a convict had written to him in prison: ‘Big up, Mr WikiLeaks.’ Other than that, and a few hellos through Sarah, we hadn’t spoken since the day he agreed to start writing. I rang Caroline on 9 May and ...”

“... who may have torpedoed, among many British ships, the HMS Forfar, the ship my grandfather Michael O’Hagan went down on in December 1940.’ ‘Would you pass the butter?’ he said. Coming down the corridor, backstage at the Public Library the next evening, Norman had the two sticks and the Ugg boots but he seemed very thin, even more so than when I’d ...”

“... It was getting dark one sulphurous evening in Glasgow in the winter of 1990, when a pop-eyed cultural apparatchik – almost breathlessly ripe from a Chinese paper-lantern parade she’d just led through the naked streets of Carntyne – sat down beside me in a bar to the side of the City Chambers, to gab about the glories and horrors of Glasgow’s reign as European City of Culture for that year ...”

“... her to a job at the Singer factory. And in six months’ time Margaret and Hugh were married in St Andrew’s Cathedral. A rapid cloud of starlings blew over the seven bridges. Margaret was different. Her family were gentle people. They liked to put pictures around their house, and the flowers of the field on the kitchen table. Her father read from novels when ...”

“... I’ve never met​ anybody who hated as many people as Lillian Ross did. She would count their names off on her fingers, regularly within spitting distance of them, and her voice wasn’t quiet and she wasn’t shy. Bending back each digit and making a face, she’d offer a defining word after each name:Gloria Steinem – phoneyJanet Malcolm – pretentiousRenata Adler – crackpotSusan Sontag – nobodyNora Ephron – liarOther hand:Kenneth Tynan – creepTruman Capote – leechGeorge Plimpton – slickTom Wolfe – talentlessPhilip Roth – jerkIt was a mercy she only had two hands ...”

“... At the juvenile detention centre in Kandahar there are two sets of children. The first are riotous and loud, arrested for theft and other crimes of that sort. When you give them a piece of paper and ask them to write down the reason they are in prison they simply scratch lines into the paper or scrunch it up. They can’t write. The second group are silent ...”

“... In Westminster Abbey a couple of years ago, I stood for over an hour talking to Neal Ascherson. It was one of those freezing January evenings – cold stone, long shadows – and we adopted our BBC faces in Poets’ Corner, looking at the memorials and marble busts on the walls. I noticed Ascherson was taking his time over an inscription to the poet Thomas Campbell, and some words of Campbell’s began to echo somewhere in my head, two lines from The Pleasures of Hope ...”

“... Norman Tebbit announced the other day that Tony Blair’s government had made both obesity and Aids in this country much worse by doing ‘everything it can to promote buggery’. Aside from anything else, this comment might cause us to reflect (buggerishly) on the England beloved of bigots like Tebbit and to see it as a land not only of warm beer and cricket on the village green, but also, more significantly, of generations of excellent buggers performing on radio, stage and television, warming the cockles of English hearts and occasionally laying down their trousers in pursuit of their genius ...”

“... New York – contrary to popular opinion and Frank Sinatra – is never a city that doesn’t sleep. It sleeps soundly in fact. You walk the streets on certain nights and suddenly you can feel quite alone under the buildings. It’s not that the place is deserted, there are things going on – taxi-cabs, homeless people, late-night walkers, the police – but they can seem to proceed at that hour like things out of step, like odd yearnings of the imagination, or unexpected items in a gasoline-smelling dream of urban ruin ...”

“... Never give a writer a key to your apartment. Or your office. Never let him talk to your children. If he says he wants to take a bath tell him the plumbing’s knackered. If he makes for the fridge say everybody just died of food poisoning. Don’t encourage him in any way. Never give him your mother’s phone number. Keep him back from anything sharp ...”

“... If you want to be somebody nowadays, you’d better start by getting in touch with your inner nobody, because nobody likes a somebody who can’t prove they’ve been nobody all along. Today’s celebrities hack their cloth to suit the fashion of the times: the less you do the more you are doing, the less you know the more you are knowing, the less you wear the more you are wearing, and so say all of us ...”

“... Good reporters go hunting for nouns. They want the odd verb too, but the main thing is the nouns, especially the proper ones, the who, what and where. The thing British schoolchildren call a ‘naming word’ was, for Hemingway, a chance to reveal what he knew, an opportunity to be experienced, to discriminate, and his style depends on engorged nouns, not absent adjectives ...”

“... I used to know a girl called Fiona who kept a joint diary with her friend Katherine. They wrote it most evenings in the desolate hours between the end of John Craven’s Newsround and the arrival of the ice-cream van on their housing estate, a period marked by the combustion of chip pans in the kitchens of the negligent, pans then carried hurriedly onto doorsteps and thrown into the air like torches at a Viking funeral ...”

“... New York in August, and inside is the only place to be. The people around me, each at his own console, were watching their chosen moments in the history of American airtime. Elvis Presley’s top half on the Ed Sullivan Show; John F. Kennedy’s live debate with a melting Richard Nixon; an early episode of I Love Lucy; a dinner-table scene from The Waltons; Neil Armstrong’s One Small Step; the shooting of Lee Harvey Oswald; the pilot show of Roseanne ...”