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“... It has stained glass windows and a shingle roof, and above its door he hung a plaque of a green man, fronds of plum trees issuing from his mouth. Beyond the shed is the plum orchard; beyond that the old apple trees, one with a half-finished tree-house he was building before he fell ill. If the alveoli from our lungs were unpacked and spread out, they would ...”

“... existed, to be sure, in the Twenties. Joseph Conrad had just died and Graham Greene was a young man getting published under the apologetic label of ‘entertainment’, but one glimpse of Minty shows the quality. Character is an elusive quality, but without it crime writing wouldn’t exist, any more than any other kind would – say, Boswell’s ...”

“... it was proof against age and against all those processes by which we are able to say that a man’s time runs out, but it was not proof against external accident. ‘The Watch’ in Learning to Swim For when a body floats into a lock kept by a lock-keeper of my father’s disposition, it is not an accident but a curse.     And Freddie Parr’s ...”

“... and their guns and holsters look clean and unused. Some police move into the lobby with an old X-ray machine. They make themselves comfortable. I am told every five-star hotel in Kuwait is to have an X-ray machine and metal detector, as if this was another one of Mr Radisson’s extraordinary services for his guests. The ...”

“... and I fly too high, And wake up in my bed this morning wondering why I’m an old white man in bed in 2012 in Manhattan Not next to a lovely redhead whose skin is satin. Pardon me if I grab the remote before I open my eyes. They’re going to televise One World Trade Center’s rise While the Empire State Building stands there and practically dies ...”

“... the aesthete, he was stultified by the permanent juvenility of the rock world. For the moralist, a man who could never be forgiven for ditching his wife. For the sociologist, an example of the perils of vertical social mobility. And for the numerologist, proof of the malevolence of the number 9. But had he lived, would he have entered 1985 rocking around the ...”

“... both the magical power of Hollywood, and its less than democratic creative constitution. Robert Ray’s A Certain Tendency of the Hollywood Cinema: 1930-1980 (its title playing on a controversial 1954 piece about the French cinema by François Truffaut in Cahiers du Cinéma) is the work of an intelligent American lover of American films engaging partly with ...”

“... amoral drive to ingest and expand which still characterises American entrepreneurial culture. Ray Kroc, the hamburger guru of McDonald’s and pre-eminent fast-food entrepreneur, emerges as the hero of Fast Food. I had no idea that he was a man so strangely obsessed with the perfect french fry. ‘I was looking for work ...”

“... gone in! It’s a goal!’ said Brian Moore, in a tender, incredulous moan; and before the great man could even clear his throat he was required to add: ‘And ... another goal! Disaster for England ... ’ God, what a croak it was. Any team might have let this happen once (and the Swiss goals, at least, were beautifully set up). But twice? Of course, it is ...”

“... sober, he was apt to wonder if there was a god, or not simply a divine wind of oratory investing man, and this divine wind was blind and deaf and cared not in whom or at what time it manifested itself. This Peden is a minor character, no more or less eccentric than the other Eagle Lake inhabitants who populate Barry Hannah’s new novel. They include Max ...”

“... I noticed him say ‘undergrowths’ where we should have used the singular. We talked of D.L. Ray, who died this year – Bengal’s most popular poet. I asked if it was true that D.L. Ray said his Bengali was bad? ‘Oh, yes. He hated my work. We used to be very friendly, but of late years had little intercourse. He ...”

“... claims about why and how things have changed. What they write can be challenged by facts. A new X-ray or a contemporary inventory may destroy the argument a group of paintings was chosen to illustrate. Critics, by contrast, invent categories which facts cannot invalidate. For example, Kenneth Clark’s distinction between the naked and the nude stands as long ...”

“... World of the Simple’. Here are some samples from each category. The man who mistook his wife for a hat was a distinguished musician, learned and charming, who had, through damage to his visual cortex, lost the ability to recognise familiar things despite being quite capable of seeing them; he couldn’t associate the visual ...”