In the latest issue:

Democracy? No thanks

Eric Foner

The Bournemouth Set

Andrew O’Hagan

Short Cuts: How to Block Spike

Rupert Beale

Poem: ‘Lark’

Anne Carson

Mussolini’s Unrealism

Edward Luttwak

Characteristically Spenderish

Seamus Perry

Waiting for Valéry

Michael Wood

Bilingualism

Michael Hofmann

The Case for a Supreme Court

Stephen Sedley

A Great Wall to Batter Down

Adom Getachew

At Las Pozas: Edward James’s Sculpture Garden

Mike Jay

He’s Humbert, I’m Dolores

Emily Witt

Archigram’s Ghost

Jonathan Meades

‘Love at Last Sight’

Chloë Daniel

Instapoetry

Clare Bucknell

Scotland’s Dreaming

Rory Scothorne

Diary: In Guy Vaes’s Footsteps

Iain Sinclair

The Lost Art of Paste-Up
Close
Close

The Lost Art of Paste-Up

Arranging and rearranging a magazine’s layout before it goes to press is all done on computers now. But in the years before desktop publishing software, the work of cutting and pasting required a sharp scalpel, a parallel-motion board and plenty of glue.

As the London Review of Books celebrates its 40th anniversary, we look back at what paste-up used to involve in the early years of the paper. Flashing her blade is Bryony Dalefield, who has been doing paste-up for the LRB, in both its gluey and digital forms, since the early 1980s.

Film by Anthony Wilks.

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

Read More

Sign up to our newsletter

For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.

Newsletter Preferences