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The Word from Wuhan

Wang Xiuying

‘The Man in the Red Coat’

Luc Sante

Is it OK to have a child?

Meehan Crist

Short Cuts: Ubu Unchained

August Kleinzahler

Bury that bastard

Nicole Flattery

Surplus Sons

Clare Bucknell

Oliver Lee Jackson

Adam Shatz

The Servant Problem

Alison Light

Poem: ‘1 x 30’

Anne Carson

The Old Bailey

Francis FitzGibbon

Jiggers, Rods and Barleycorns

James Vincent

More Marple than Poirot

J. Robert Lennon

On Rachael Allen

Matthew Bevis

Like a Ball of Fire

Andrew Cockburn

The Staffordshire Hoard

Tom Shippey

Blessed Isles

Mary Wellesley

At the Movies: ‘Jojo Rabbit’ and ‘A Hidden Life’

Michael Wood

Redeeming Winnie

Heribert Adam

Diary: A Friendly Fighting Force

Nick McDonell

The Lost Art of Paste-Up
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LRB Films & Interviews

The Lost Art of Paste-Up

Arranging and rearranging a magazine’s layout before it goes to press is all done on computers now. But in the years before desktop publishing software, the work of cutting and pasting required a sharp scalpel, a parallel-motion board and plenty of glue.

As the London Review of Books celebrates its 40th anniversary, we look back at what paste-up used to involve in the early years of the paper. Flashing her blade is Bryony Dalefield, who has been doing paste-up for the LRB, in both its gluey and digital forms, since the early 1980s.

Film by Anthony Wilks.

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

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