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Loathed by Huysmans

Julian Barnes

Too early or too late?

David Runciman

Short Cuts: Five Victorian Marriages

Tom Crewe

Society as a Broadband Network

William Davies

Fifteen days from now

Thomas Jones

In 1348

James Meek

The Yorkists

John Guy

At the Movies: Pasolini’s ‘Teorema’

Michael Wood

Whitehall Spookery

Neal Ascherson

Poem: ‘The Bannisters’

Paul Muldoon

Clarice Lispector

Rivka Galchen

Marius Petipa

Simon Morrison

At the Foundling Museum: ‘Portraying Pregnancy’

Joanne O’Leary

Gordon v. O’Connor

Rupert Thomson

Revism

Joe Dunthorne

Poem: ‘The Reach of the Sea’

Maureen N. McLane

Diary: Where water used to be

Rosa Lyster

The Lost Art of Paste-Up
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LRB Films & Interviews

The Lost Art of Paste-Up

Arranging and rearranging a magazine’s layout before it goes to press is all done on computers now. But in the years before desktop publishing software, the work of cutting and pasting required a sharp scalpel, a parallel-motion board and plenty of glue.

As the London Review of Books celebrates its 40th anniversary, we look back at what paste-up used to involve in the early years of the paper. Flashing her blade is Bryony Dalefield, who has been doing paste-up for the LRB, in both its gluey and digital forms, since the early 1980s.

Film by Anthony Wilks.

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

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