The third episode of The Long and Short turns to the short stories of Henry James. Mark and Seamus look in particular at ‘The Aspern Papers’, which, like Tennyson’s ‘Maud’, offers a diagnosis of obsession, in this case through a sensuous, excruciating and often comedic Venetian psychodrama. Mark and Seamus discuss the emergence of the short story at the end of the 19th century, and how certain features of the form – its attachment to unresolved endings, its debt to the dramatic monologue – can be found in James’s own stories, along with his other major themes, such as the tortured relationship between the public and private, and the experience of Americans in Europe.
This is an extract from the episode. To listen in full and to all our other Close Readings series, sign up here: https://lrb.me/closereadings
Further reading:
Mary McCarthy: Ideas and the Novel
Ruth Bernard Yeazell: The Henry James Show
P.N. Furbank: Henry James’s Christmas
Barbara Everett: Henry James and Romance