The Editors

Mike Davis on California burning (LRB, 15 November 2007): The loss of more than 90 per cent of Southern California’s agricultural buffer zone is the principal if seldom mentioned reason wildfires increasingly incinerate such spectacular swathes of luxury real estate. It’s true that other ingredients – La Niña droughts, fire suppression (which sponsors the accumulation of fuel), bark beetle infestations and probably global warming – contribute to the annual infernos that have become as predictable as Guy Fawkes bonfires. But what makes us most vulnerable is the abruptness of what is called the ‘wildland-urban interface’, where real estate collides with fire ecology. And castles without their glacises are not very defensible.

Yes. I remember KilmacthomasHomage to Yves KleinOur Man in HavanaI wandered lonely as a cloudAnother day in the life of #readeverywhere’s most prolific entrant

Kazuo Ishiguro, who has won the Nobel Prize in Literature, wrote in the London Review of Books in 1985: 'The British and the Japanese may not be particularly alike, but the two races are exceedingly comparable. The British must actually believe this, for why else would they be displaying such a curious desperation to deny it? No doubt, they sense that to look at Japanese culture too closely would threaten a long-cherished complacency about their own.'

'Part of John Ashbery’s charm,' Mark Ford wrote in the LRB in 1989, 'is his self-deprecating uncertainty about the whole business: "Some certified nut/Will try to tell you it’s poetry."’ The LRB published more than fifty poems by him, the first of them in 1995 (a late start for us, nearly forty years after his first collection and twenty after Self-Portrait in a Convex Mirror). 

Short fiction isn’t really something that the LRB publishes, except when it does. In the latest issue, for example, there’s a 274-word work by Diane Williams, the 99th item that we’ve tagged in our online archive as a story, though it could just as well be categorised as prose poetry. The same goes for Anne Carson’s ‘Euripides to the Audience’ (2002). In 1980 we carried an extract from an unpublished play by Noël Coward.