The Editors

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'The Bible is a familiar model of history,' Frank Kermode wrote in The Sense of an Ending: It begins at the beginning ('In the beginning…') and ends with a vision of the end ('Even so, come, Lord Jesus'); the first book is Genesis, the last Apocalypse. Ideally, it is a wholly concordant structure, the end is in harmony with the beginning, the middle with beginning and end. The end, Apocalypse, is traditionally held to resume the whole structure, which it can do only by figures predictive of that part of it which has not been historically revealed. The Book of Revelation made its way only slowly into the canon – it is still unacceptable to Greek Orthodoxy – perhaps because of learned mistrust of over-literal interpretation of the figures. But once established it showed, and continues to show, a vitality and resource that suggest its consonance with our more naive requirements of fiction.

Tam Dalyell, who served as the Labour MP for West Lothian (later Linlithgow) from 1962 to 2005, died yesterday. In 1982 he resigned as Michael Foot's science spokesman over the Falklands War. He wrote a number of pieces for the LRB, the first of them 'A Falklands Polemic' in May 1982: 'Never underestimate the importance of fortuitous timing in the development of events. Governments and nations can get onto a motorway, and then find to their alarm that they are on a journey on which they never intended to travel, but from which there is no acceptable exit. We are faced with a shooting war in the South Atlantic that few British politicians thought could, should or would occur.'

Derek Parfit died on 1 January. Bernard Williams reviewedReasons and Persons when it came out in 1984: 'Derek Parfit has written a brilliantly clever and imaginative book which treats in a very original way a wide range of ethical questions. It spends virtually no time on meta-ethics (perhaps too little), but it avoids many of the deformations that sometimes afflict first-order ethical philosophy.'

John Berger died yesterday. Reviewing his selected essays in the LRB in 2002, Peter Wollen wrote: Berger, despite his concentrated seriousness, is quite capable of breaking out of the box, seeing things in unexpected new ways, becoming excited by the unusual and the perverse and the eccentric, bringing a pungent subjectivity to the most delicate of judgments.