Tessa Hadley

Tessa Hadley’s new collection of stories, After the Funeral, was published in July.

About the Monicas: Anne Tyler

Tessa Hadley, 18 March 2004

At the beginning of her short story ‘Jakarta’, Alice Munro describes two young women who choose a spot on a beach because it’s sheltered and because ‘they want to be out of sight of a group of women who use the beach every day. They call these women the Monicas.’ The Monicas have two or three or four children apiece; they build a temporary domestic encampment on the...

Lost Daughters: Kate Atkinson’s latest

Tessa Hadley, 23 September 2004

The world of Kate Atkinson’s novels is distinctive. This isn’t because it’s confined to a particular place (Behind the Scenes at the Museum, 1995, her first novel, was set in York, her others in ‘Arden’, Dundee and Cambridge), although geography is important, and she is precise about history, socio-economics, climate, architecture and even street-plans....

We’re encouraged by the Romantics and the Freudians to think that childhood is when we are most ‘natural’ and least broken-in to cultural norms. However, in childhood we are also most intensely subject to the familial culture which surrounds us; the world can be interpreted only in the language and according to the value system we are given by parents and relatives and at...

“The most extraordinary and best of the stories in Gilead are to do with the quarrels Ames remembers between his father and grandfather; these are the hub of the novel’s arguments about the transforming power of religious faith. The grandfather was a passionate abolitionist, ‘afire with old certainties’, who fought alongside John Brown; he is another one of those disturbing innocents, impossible to live with and yet leaving the mark of his intensity on everyone he touches. When he was 16 he had a vision of the Lord in irons, holding out his arms to him, and knew he had to go to Kansas, where they were voting whether to enter the Union slave or free; he pitied his son, who was temporising and reasonable: ‘That’s just what kills my heart . . . That the Lord never came to you. That the seraphim never touched a coal to your lips.’”

Uninfatuated: Dan Jacobson

Tessa Hadley, 20 October 2005

‘If anthropology is obsessed with anything,’ Clifford Geertz says, ‘it is with how much difference difference makes.’ The same could be said of the novel. And novelists’ curiosity, like anthropologists’, aims not to solve or explain the puzzle of lives lived, but to seize and transcribe it. In his new book, All for Love, Dan Jacobson captures a story from...

No Shortage of Cousins: Bowenology

David Trotter, 12 August 2021

The pleasures as much as the perils of adaptation led Elizabeth Bowen to suppose that the fundamental condition of human experience is a feeling of ‘amorphousness’ which prompts the ‘obsessive wish...

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Faithful in the Dusk: Tessa Hadley

Adam Mars-Jones, 15 August 2019

The autumnal title​ of Tessa Hadley’s new novel, almost in the resigned mode of Barbara Pym, is both truthful and deceptive. Relationships of love and friendship with deep roots in the...

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