Susan Eilenberg

Susan Eilenberg, who teaches at the State University of New York at Buffalo, is the author of Strange Power of Speech: Wordsworth, Coleridge and Literary Possession.

Forget that I exist: Mary Wollstonecraft

Susan Eilenberg, 30 November 2000

Mary Wollstonecraft’s defenders have always found their task difficult. Writing her life to disastrous effect in 1798, intent on establishing her as one of those beings ‘endowed with the most exquisite and delicious sensibility, whose minds seem almost of too fine a texture to encounter the vicissitudes of human affairs, to whom pleasure is transport, and disappointment is agony...

Leaf, Button, Dog: The Sins of Hester Thrale

Susan Eilenberg, 1 November 2001

Who would believe Goldy when he told of a Ghost? a Man whom One could not believe when he told of a Brother.

Hester Lynch Thrale Piozzi, marginal annotation to Boswell’s Life of Johnson

Here is a museum. Visitors may see in it Nero’s couch, a statue of Cerberus and a skeleton of an Ethiopian, the bones stuck with porcupine quills. Here is a cabinet of curiosities. In it are a...

Murdoch had begun her romantic life . . . with an attachment to a slug; her first semi-serious schoolgirl romance, largely epistolary and wholly innocent, involved a dentistry student so extravagantly fond of blank verse that he was later to compose his first lecture as a professor of dental anatomy in it. But when Murdoch went to Oxford she unleashed her heart, and unleashed it remained for the next quarter of a century.

Adulation or Eggs: At home with the Carlyles

Susan Eilenberg, 7 October 2004

It’s a century and a quarter since J.A. Froude’s Life of Carlyle and his edition of Carlyle’s Reminiscences, a hundred years since Alexander Carlyle’s New Letters and Memorials of Jane Welsh Carlyle, Froude’s posthumous My Relations with Carlyle, and Alexander Carlyle and Sir James Crichton-Browne’s The Nemesis of Froude. Everyone has long since taken...

For the past half-century Muriel Spark has been the recognised master of detachment. The closer she approaches matters of terror or outrage or betrayal or shame the more controlled her voice. To memory-summoned menace and ritually recalled violation her response has been severe amusement or colder revenge; to the threat of madness or obsession (her own or another’s), controlled glee. Her...

Wordsworth and the Well-Hidden Corpse

Marilyn Butler, 6 August 1992

‘The best-known publication date in English literature,’ says Michael Mason of 1798. But the terse, intelligent Introduction to his new edition of the Lyrical Ballads seems out to...

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