Slavoj Žižek

Slavoj Žižek is a researcher at Birkbeck College, University of London, and the author of Absolute Recoil and Trouble in Paradise.

In one of the diplomatic cables released by WikiLeaks Putin and Medvedev are compared to Batman and Robin. It’s a useful analogy: isn’t Julian Assange, WikiLeaks’s organiser, a real-life counterpart to the Joker in Christopher Nolan’s The Dark Knight? In the film, the district attorney, Harvey Dent, an obsessive vigilante who is corrupted and himself commits murders, is killed by Batman. Batman and his friend police commissioner Gordon realise that the city’s morale would suffer if Dent’s murders were made public, so plot to preserve his image by holding Batman responsible for the killings. The film’s take-home message is that lying is necessary to sustain public morale: only a lie can redeem us. No wonder the only figure of truth in the film is the Joker, its supreme villain.

Khrushchev’s speech in 1956 denouncing Stalin’s crimes was a political act from which, as his biographer William Taubman put it, ‘the Soviet regime never fully recovered, and neither did he.’ Although it was plainly opportunistic, there was just as plainly more to it than that, a kind of reckless excess that cannot be accounted for in terms of political strategy. The speech so undermined the dogma of infallible leadership that the entire nomenklatura sank into temporary paralysis. A dozen or so delegates collapsed during the speech, and had to be carried out and given medical help; one of them, Boleslaw Bierut, the hardline general secretary of the Polish Communist Party, died of a heart attack. The model Stalinist writer Alexander Fadeyev actually shot himself a few days later.

From The Blog
23 March 2010

The victory at the Oscars of Kathryn Bigelow’s The Hurt Locker over James Cameron’s Avatar was generally perceived as a good sign of the state of things in Hollywood: a low-budget, independent film overcomes a superproduction whose technical brilliance cannot cover up the flat simplicity of its story. So Hollywood is not just a blockbuster machine, but still knows how to appreciate marginal creative efforts. Well, maybe. But it’s also the case that, with all its mystifications, Avatar clearly takes the side of those who oppose the global military-industrial complex, while The Hurt Locker presents the US army in a way which is much more finely attuned to its own public image in our time of humanitarian interventions and militaristic pacifism.

Post-Wall: Neo-Anti-Communism

Slavoj Žižek, 19 November 2009

It is commonplace, 20 years after the fall of the Berlin Wall, to hear the events of that time described as miraculous, a dream come true, something one couldn’t have imagined even a couple of months beforehand. Free elections in Poland with Lech Walesa as president: who would have thought it possible? But an even greater miracle took place only a couple of years later: free democratic...

Is there a link between Ahmadinejad and Berlusconi? Isn’t it preposterous even to compare Ahmadinejad with a democratically elected Western leader? Unfortunately, it isn’t: the two are part of the same global process . . . The virus of authoritarian capitalism is slowly but surely spreading around the globe.

First Impressions: Slavoj Žižek’s Paradoxes

Fredric Jameson, 7 September 2006

As every schoolchild knows by now, a new book by Žižek is supposed to include, in no special order, discussions of Hegel, Marx and Kant; various pre- and post-socialist anecdotes and...

Read more reviews

Hate is the new love: Slavoj Žižek

Malcolm Bull, 25 January 2001

Get into the car sometime and drive out of town. Once you have got past the suburbs, and the industrial estates, and the home-made signs (‘Buy British’, ‘Our Beef With...

Read more reviews

Enjoy!

Terry Eagleton, 27 November 1997

Schopenhauer saw us all as permanently pregnant with monsters, bearing at the very core of our being something implacably alien to it. He called this the Will, which was the stuff out of which we...

Read more reviews

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

Sign up to our newsletter

For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.

Newsletter Preferences