Rosemary Hill

Rosemary Hill’s most recent book is Time’s Witness: History in the Age of Romanticism. Her four-part series, The Lives of Stonehenge, can be found on the LRB Podcast. She is a contributing editor at the LRB, and presents ‘London Revisited’ on the LRB’s Close Readings subscription podcast.

In the chilly spring of 1958, with war still a vivid memory and rationing an even more recent one, queues were a familiar sight. But the line that formed in front of the railings of Buckingham Palace on 18 March was peculiar enough to attract a small crowd of onlookers. There, shivering in silk and chiffon, the debutantes waited with their mothers and fathers to curtsey to the queen. After...

It is 21 years this summer since the Battle of the Beanfield, the bloody confrontation at Cholderton in Wiltshire between police and a travellers’ convoy heading for Stonehenge, which resulted in 420 arrests and the end of the Stonehenge Free Festival. For more than a decade after that the authorities kept the public out at the solstice with a ferocity bordering on hysteria: razor wire,...

Tragedy in Tights: Poor Queen Caroline

Rosemary Hill, 22 June 2006

As marriages of convenience go, few can have turned out less conveniently than that of George IV and Caroline of Brunswick. The couple brought out the worst in each other, and there was a great deal to bring out, for among the few things they had in common were obstinacy, irresponsibility and an almost total lack of self-control. From the moment they met until what Walter Scott called the...

Even Purer than Before: Angelica Kauffman

Rosemary Hill, 15 December 2005

Lady Elizabeth Foster sits beneath a tree and avoids our gaze, lost, it seems, in thought. Behind her the Italian countryside is bathed in a warm autumnal light that sets off the delicate white and cream of her softly ruffled dress and fashionable Leghorn hat. She too is fair, her pink and white complexion carefully shaded from the afternoon sun. Painted by Angelica Kauffman in Naples and...

Patrician Poverty: Sybille Bedford

Rosemary Hill, 18 August 2005

Beginning in the middle, as she announces at once she intends to do, Sybille Bedford starts her memoir in 1953, the middle, more or less, of her long life and of ‘our frightful century’ whose history is as much her subject as her own peculiar story. Her opening scene is a summer morning in Geneva, where she passed a few hours between trains, a woman in her early forties,...

Leave me my illusions: Antiquarianism

Nicholas Penny, 29 July 2021

Moonlight on broken stone tracery is a common motif; dark interiors provide a foil for stained glass and for white satin and deep blue velvet. The men must be away on the crusades. Young women are sobbing...

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Very Pointed: Pugin

Dinah Birch, 20 September 2007

Modern lives look prim beside the turbulent existence of Augustus Welby Northmore Pugin. Distractions and misfortunes proliferated throughout his career: shipwreck (he was in his own boat,...

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