Rosemary Hill

Rosemary Hill’s most recent book is Time’s Witness: History in the Age of Romanticism. Her four-part series, The Lives of Stonehenge, can be found on the LRB Podcast. She is a contributing editor at the LRB, and presents ‘London Revisited’ on the LRB’s Close Readings subscription podcast.

From The Blog
13 November 2013

There is nothing obviously odd about the generic military-man-on-a-horse partly visible through the nearly leafless trees in Cavendish Square. He is William, Duke of Cumberland (1721-65), and the plinth would lead you to believe his statue has been there since 1770. It hasn’t.

In Split: Diocletian’s Palace

Rosemary Hill, 26 September 2013

The train journey from Zagreb to Split takes six hours and entails a degree of mental adjustment. Zagreb is quiet in summer. A city of government and business, it mostly closes for August, leaving the streets to tourists, who come in modest numbers. Stucco-fronted apartment blocks in ice-cream colours, the dripping Jugendstil of the Croatian Secessionists, tree-lined squares; on the verge of...

From The Blog
23 July 2013

On Sunday I went to my first Prom of the season. Tchaikovsky's Violin Concerto, Shostakovich's 10th Symphony and 'Magiya', a new piece co-commissioned by the BBC from Sean Shepherd. This last was the programmers' equivalent of cod liver oil, the bit they put in every concert to keep you in touch with new work, which is Good For You and must be taken along with the cake and jam.

The Festival of Britain in 1951 marked the centenary of the Great Exhibition. It came six years after the end of the Second World War and three before the end of rationing. By this time Barbara Jones was 39, an established artist and designer. The titles of the books and magazine articles that made her name as an illustrator tell their own story: a translation of Boulestin’s Ease and...

It is difficult not to admire Roy Strong, though there are moments in this account of his first 32 years where he seems to be doing all he can to make it easier. Born in 1935, he became in 1967 the youngest ever director of the National Portrait Gallery. It was a remarkable achievement, but by mentioning it three times in the first seven pages Strong begins at an early stage to try the...

Leave me my illusions: Antiquarianism

Nicholas Penny, 29 July 2021

Moonlight on broken stone tracery is a common motif; dark interiors provide a foil for stained glass and for white satin and deep blue velvet. The men must be away on the crusades. Young women are sobbing...

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Very Pointed: Pugin

Dinah Birch, 20 September 2007

Modern lives look prim beside the turbulent existence of Augustus Welby Northmore Pugin. Distractions and misfortunes proliferated throughout his career: shipwreck (he was in his own boat,...

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