Philip Roth The Prague Orgy, the epilogue to his Zuckerman trilogy of novels, was published last year. A new novel, The Counterlife, is due out in the autumn.
In the 1980s I translated some of the late novels and stories of Alberto Moravia, elderly but still prolific. These books, which abandoned observation of society for concerns with ageing and sex,...
Here’s a novella of slightly over 30,000 very plain words – Philip Roth’s shortest book since The Prague Orgy – structurally straightforward, winnowed of syntactical...
The title of this novel comes from the Chinese national anthem: Arise, ye who refuse to be bondslaves! With our very flesh and blood We will build a new Great Wall! China’s masses have met...
A large part of the reason for the continuing democratic vigour of the American novel is that the great wave of Modernism was no more than a ripple by the time it reached New England’s...
This brief, disconsolate and in certain respects disagreeable novel starts with the funeral of the anonymous (eponymous) hero and ends with his death. The circularity in the narrative is a...
‘Because what’s history?’ a character asks rhetorically in Philip Roth’s astonishing new novel. ‘History is everything that happens everywhere. Even here in Newark....
Philip Roth likes, or has liked, to describe himself as a ‘suppositional’ novelist. Much of his writing practice, he has said, takes off from a ‘what if?’ What if Franz...
Some time ago, Philip Roth remarked that his novels investigate ‘people in trouble’. Though much about his work has changed over the years, his fictional landscapes are still littered...
Most readers, it seems, are willing and able to construct complete narratives from even the tiniest snippets of information, whether in the form of lazily written genre fiction or in the artful...
Portnoy complained that his life was a Jewish joke, and Philip Roth himself once suggested that American reality beggared the imagination of even the most extravagant novelist. Who could have...
If you are anything like me, you will find yourself having to fight off a sort of sinking feeling as the new Philip Roth comes thudding into your life. What If A Lookalike Stranger Stole Your...
A crucial incident in Patrimony comes when Roth’s aged and ill father, Herman, ‘beshats himself’, as he puts it: ‘Don’t tell the children,’ he...
‘Julia died. I read it in the Times this morning... I never liked her, nor did she like me; strange, then, how we managed to keep up a sort of friendship for so long.’ The first...
Authors can be terrible liars, and never more so than when they are in the autobiographical vein. Like salesmen, they are at their most dangerous when most sincere. Roth’s publishers...
Philip Roth’s new novel is marvellously rich, boisterously serious, dense, fizzing and formally audacious. More than with most novels, to review it is to betray it. This isn’t...
Security is the problem that exercises both Philip Roth and Raymond Williams. The sort of ‘security’ I mean is the sort that spreads a feeling of insecurity – a fear of...
‘Putting on again joyously the hateful harness’. That is how Robert Pinget’s diffident and slightly dotty narrator, Monsieur Songe, describes the process of taking up his pen...
With ‘nothing else to do but the impossible’, when revolution breaks out in South Africa, Bam and Maureen Smales accept their house servant’s offer of refuge in his tribal...
The Ghost Writer is Philip Roth’s best novel yet. Certainly it is his most ingenious. But this familiar way of putting things may contain a mistake, a mistake which is part of the...
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