Patrick Collinson

What, for the British Isles, is the shape, scope and character of that rich slice of history which was the 16th century? The titles of the textbooks which have defined the period for the late 20th-century successors of Macaulay’s ‘every schoolboy’ tell their own story: Tudor England (S.T. Bindoff, 1950), England Under the Tudors (G.R. Elton, 1955), Tudor England again (John...

‘Incidentally, they know you know they know you know the code.’ Peter Ustinov’s Cold War satire Romanoff and Juliet (1956) could have been about Salisbury Court, the London home in the early 1580s of the French Ambassador to the Court of Elizabeth I, Michel de Castelnau, seigneur de Mauvissière, an establishment described by John Bossy as ‘zany, convivial and...

The crisis, the most severe to hit the regime since it had come into office, began in Lincolnshire. Columns of smoke rose above the English countryside. At one point the nation’s leader was tempted to take personal charge of the management of the crisis. But when the Lincolnshire problem proved to be shortlived, he unwisely wound the preventative operation down, persuading himself that...

Eamon Duffy’s celebrated The Stripping of the Altars: Traditional Religion in England c.1400-c.1580 (1992), which opened our eyes to the vitality of late medieval English Catholicism, was a book born when its author learned to drive. The motor car diverted him from other historical pursuits and took him to those East Anglian churches which, after a century of drastic iconoclasm, and a...

The Antichrist’s Lewd Hat is a study of Jacobean London, its high life and low life, its media crazes, its commercialism, its vanities, its fluid religiosities: in the alliterative p-words which for some reason fascinated the Jacobethan age, it is peopled with Papists, Puritans, players, printers, pamphlets, pimps, punks and pigs; profit, pride, pleasure and power.