Pankaj Mishra

He visibly struggles with the question ‘Why do white people like what I write?’ This is a fraught issue for the very few writers from formerly colonised countries or historically disadvantaged minorities in the West who are embraced by ‘legacy’ periodicals, and then tasked with representing their people – or country, religion, race, and even continent. Relations between the anointed ‘representative’ writer and those who are denied this privilege by white gatekeepers are notoriously prickly. Coates, a self-made writer, is particularly vulnerable to the charge that he is popular among white liberals since he assuages their guilt about racism.

‘Most of the white people I have ever known,’ James Baldwin once wrote, ‘impressed me as being in the grip of a weird nostalgia, dreaming of a vanished state of security and order.’ Today, longing for the ancien régime increasingly defines the Atlantic seaboard’s pundits as much as it does the fine people defending the honour of Robert E. Lee. It remains to be seen whether America, Britain, Europe and liberalism can be made great again. But it already seems clear that the racial supremacist in the White House and many of his opponents are engaged in the same endeavour: to extend closing time in their own gardens in the West.

The​ Soviet-subsidised mobile bookshops that enlivened my provincial childhood in the India of the late 1970s and early 1980s always had, in among the English translations of Marx, Lenin and various socialist realist novels, an edition of Alexander Herzen’s novel Who Is to Blame? The title was irresistible and its theme of stupor and futility in the provinces seemed both contemporary...

Visiting​ Africa and Asia in the 1960s, Conor Cruise O’Brien discovered that many people in former colonies were ‘sickened by the word “liberalism”’. They saw it as an ‘ingratiating moral mask which a toughly acquisitive society wears before the world it robs’. O’Brien – ‘incurably liberal’ himself (at least in this early...

Mark Greif’s​ book is a bracingly ambitious attempt at a ‘philosophical history’ of the American mid-century, a chronological account of writers and their ideas. It begins in 1933 with an apparently widely perceived ‘crisis of man’ in American intellectual culture and is cut off, equally surgically, in 1973, with academic theory’s announcement of the...