Modris Eksteins

Modris Eksteins, a professor of history at the University of Toronto, is the author of Rites of Spring: The Great War and the Birth of the Modern Age.

Drowned in Eau de Vie: New, Fast and Modern

Modris Eksteins, 21 February 2008

‘Voici le temps des assassins,’ Rimbaud announced in the wake of the Paris Commune. One could argue that the central motif in Modernism was the notion of violation: André Breton saying that ‘the simplest surrealist act consists of dashing into the street, pistol in hand, and firing blindly, as fast as you can, into the crowd’; Otto Dix portraying a crazed murderer dismembering a female body, flinging limbs hither and thither; Luis Buñuel and Salvador Dalí slitting an eyeball with a razor in the unwatchable opening sequence of Un Chien andalou. The mutilation of symbol, value, history and even of self was crucial to the Modernist urge. The moderns wanted to be new, fast. This urgency demanded that the old be eliminated. ‘I am dynamite,’ Nietzsche bellowed. Echoing this, the French incendiary Louis Aragon remarked that he could think of nothing more beautiful than a church and some dynamite.

You gu gu and I gu gu: Vaslav Nijinsky

Andrew O’Hagan, 20 July 2000

Nijinsky began to lose his mind in a Swiss village in 1919. He was only 29 years old, still dazzling, animal-like, an Aschenbach vision on the Lido, a young man who could jump and pause in the...

Read more reviews

Between centuries

Frank Kermode, 11 January 1990

To live in the Nineties is to have first-hand experience of l’entre-siècle, a useful word I picked up from Kenneth Silver. Expect to see signs of what Henri Focillon in his book on...

Read more reviews

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

Sign up to our newsletter

For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.

Newsletter Preferences