Mikkel Borch-Jacobsen

Mikkel Borch-Jacobsen has recently brought out a French edition of Freud’s early papers on hypnosis, L’Hypnose: Textes – 1886/1893.

How a Fabrication Differs from a Lie

Mikkel Borch-Jacobsen, 13 April 2000

‘Was Freud A Liar?’ Ever since Frank Cioffi had the audacity to ask this question in 1973, it has continued to rock the world of psychoanalysis. Till then, things had been so simple. Children of the ‘Freudian century’, we had all learned to venerate in Sigmund Freud a man of ‘absolute honesty’ and ‘flawless integrity’, as his loyal biographer Ernest Jones called him. How many times were we told that? It was his passion for truth that enabled him to confront the demons of his own unconscious and to lift the multisecular repression that weighed on sexuality, despite the ‘resistance’ of his patients and the attacks of his colleagues. It was this scientific probity, too, which made him acknowledge his error about the fantastic ‘scenes’ of incest and sexual molestation that his patients had been bringing to him, despite the stinging professional setback that this represented for him. In Freud, science coincided with the moral fibre of the scientist, whose edifying biography we never tired of reading: Anna O.’s miraculous ‘talking cure’, the break with Josef Breuer regarding sexuality, the solitary crossing of the desert, the painful abandonment of the ‘seduction theory’, the heroic self-analysis, the tearing away from the transference on Wilhelm Fliess, the stoicism in the face of his colleagues’ attacks.‘

What made Albert run: Mad Travellers

Mikkel Borch-Jacobsen, 27 May 1999

You wake up one morning, the whole world is grey, you have had enough of your cold, colourless life. You want to drop everything, escape, far away, where life is real. Who has not had this dream from time to time? Nothing could be more normal. The desire to escape, to travel, is deeply rooted in everyone, from the young runaway to the tourist, from the beatnik to the Sunday hiker. But suppose now that this desire to flee becomes an obsession, a truly irresistible compulsion. Suppose further that it all happens in a state of absence and you cannot remember any of it: you arrive somewhere, dazed, without the slightest idea of what happened in the interval. Obviously, you have become a pathological runaway, a mad traveller, fit for the asylum and for therapy.

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