Michael Wood

Michael Wood is an emeritus professor at Princeton. He has written books on Yeats, Nabokov, Stendhal, Hitchcock and Empson, among other things.

Quashed Quotatoes: Finnegans Wake

Michael Wood, 16 December 2010

Lewis Carroll seems an obvious precursor of James Joyce in the world of elaborate wordplay, and critics have long thought so. Harry Levin suggested in 1941 that Carroll’s Humpty Dumpty was ‘the official guide’ to the vocabulary of Finnegans Wake. Why wouldn’t he be? He was the inventor of the portmanteau word (‘You see it’s like a portmanteau – there are two meanings packed up into one word’), an inspired parodist of what Saussure later called the arbitrariness of the linguistic sign (that is, its being grounded in nothing but convention) and extremely proud of his ability to ‘explain all the poems that ever were invented – and a good many that haven’t been invented just yet’.

At the Movies: ‘The Peeping Tom’

Michael Wood, 2 December 2010

Fear, like happiness, has its anniversaries, and 1960 was a good year for watching frightened women’s faces: first Peeping Tom and then Psycho. The second movie is far more famous and more violent, but unsettling only in the ways Hitchcock intended. People walked out of Peeping Tom, distinguished critics were disgusted (Dilys Powell wrote that the director, her namesake, could not...

At the Movies: ‘The Social Network’

Michael Wood, 4 November 2010

David Fincher’s The Social Network, which tells the story of Facebook, is fast and intelligent and mean, a sort of screwball comedy without the laughs. It’s written by Aaron Sorkin, whose credits include The West Wing and A Few Good Men, and based on a novelised history by Ben Mezrich, The Accidental Billionaires. As long as it stays with the details of its tale – the faces,...

At the Movies: ‘Certified Copy’

Michael Wood, 7 October 2010

Abbas Kiarostami’s Certified Copy makes you squirm with embarrassment: at the bad acting, the bad writing, the falsity of the tones and tantrums even within the story, the ugliness and unkindness of the behaviour on display. Still, it’s authentic embarrassment, the real insidious thing, and it tempts us to believe the effect is intentional.

As it must be in part. Just when a...

Memories of Frank Kermode

Stefan Collini, Karl Miller, Adam Phillips, Jacqueline Rose, James Wood, Michael Wood and Wynne Godley, 23 September 2010

Stefan Collini writes: ‘Yes, I’d like that very much. That really would be something to look forward to.’ Frank was already weakened and wasted by throat cancer, but my suggestion that we go to watch some cricket at Fenner’s did seem genuinely to appeal to him. There wasn’t much to look forward to by this point. On the appointed day the weather was kind, and...

Pirouette on a Sixpence: Untranslatables

Christopher Prendergast, 10 September 2015

O n​ the face of it a Dictionary of Untranslatables looks like a contradiction in terms, either self-imploding from the word go, or, if pursued, headed fast down a cul-de-sac in which it is...

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It took a very special kind of invention to get an awareness of the ‘erratic truth of death’s timing’ into a medium of mass entertainment.

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I told you so! oracles

James Davidson, 2 December 2004

I don’t believe in astrology, but I also know that not believing in astrology is a typically Taurean trait. When I first caught a bright young friend browsing in the astrology section of a...

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And That Rug! images of Shakespeare

Michael Dobson, 6 November 2003

Above the entrance to the saloon bar there is a picture of Shakespeare on the swinging sign. It is the same picture of Shakespeare that I remember from my schooldays, when I frowned over Timon of...

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Unspeakability

John Lanchester, 6 October 1994

Musing over Don Juan, Byron asked his banker and agent Douglas Kinnaird a rhetorical question: ‘Could any man have written it – who has not lived in the world? – and tooled in a...

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