Michael Wood is an emeritus professor at Princeton. He has written books on Yeats, Nabokov, Stendhal, Hitchcock and Empson, among other things.
‘Nice story’, Freud says when Jung gives him an account of a patient’s pathology. The tone is amused, but a sense of shock lingers, an ironically disguised disapproval of everything the master learns about transgressive behaviour. Jung is shocked too, but also excited. But then the patient is Jung’s, a disturbed woman not at all underplayed by Keira Knightley. The...
The plot line is a bit schematic, resolute in its avoidance of swerves and complications. A new movie star is born, an old star fades. Time passes, technology rules, the talkies are here. Still, there are plenty of twists and nuances in Michel Hazanavicius’s The Artist, and the plot feels really dogged only when it takes its pathos too seriously, inviting us to invest all our sympathy...
Mervyn Peake, the son of a medical missionary, was born just over a hundred years ago in Kiang-Hsi Province, China. The family moved back to England when he was 12. He attended the Royal Academy and served in the British army in the first years of the Second World War. He suffered from severe mental illness periodically from that time on, spending various spells in a series of remarkably...
In the summer of 1771 William Constable had just returned to Burton Constable, his house in the East Riding of Yorkshire, after a lavish Grand Tour. He and his sister Winifred had spent £7000 and came home laden with pictures, sculptures, books and miscellaneous antiquities. Constable now regarded himself as a connoisseur or, as he put it, ‘a bit of a Vertu’. When the treasures were unpacked and tastefully disposed around the house, he turned his attention to the view from the windows and decided that it too needed bringing up to date in line with informed modern taste.
A couple of markers may help. We are all situated somewhere, even if we see ourselves as cosmopolitans emancipated from mere biography. I was a beneficiary of the old idealistic British system, a grammar-school boy who went to Cambridge in the 1950s when not too many people were so lucky. If we can’t afford such a system any longer because we wish to make a good education available to...
Michael Wood talks to Malin Hay about the recent list from Sight and Sound of the ‘greatest films of all time’ (in which he voted), and what considerations could, or should, go into...
Michael Wood talks to Adam Shatz about critical theory, its origins, developments and various diversions, and where it stands today.
Michael Wood looks at how Fritz Lang uses sound in his first two sound films, M (1931) and The Testament of Dr Mabuse (1933).
Michael Wood reads his take on Joseph L. Mankiewicz’s Cleopatra.
O n the face of it a Dictionary of Untranslatables looks like a contradiction in terms, either self-imploding from the word go, or, if pursued, headed fast down a cul-de-sac in which it is...
It took a very special kind of invention to get an awareness of the ‘erratic truth of death’s timing’ into a medium of mass entertainment.
I don’t believe in astrology, but I also know that not believing in astrology is a typically Taurean trait. When I first caught a bright young friend browsing in the astrology section of a...
Above the entrance to the saloon bar there is a picture of Shakespeare on the swinging sign. It is the same picture of Shakespeare that I remember from my schooldays, when I frowned over Timon of...
Musing over Don Juan, Byron asked his banker and agent Douglas Kinnaird a rhetorical question: ‘Could any man have written it – who has not lived in the world? – and tooled in a...
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