Michael Wood

Michael Wood is an emeritus professor at Princeton. He has written books on Yeats, Nabokov, Stendhal, Hitchcock and Empson, among other things.

What does​ a wedding look like in an Ozu film? Two large hired cars outside an anonymous block of flats. Inside the building, father and elder brother in sleek Western morning suits, younger brother in smart but more casual clothes. Sister-in-law very tidy in black traditional Japanese dress. Bride cloaked in a mountainous confection of pink and white silk, topped by a hat that looks like...

‘It’s really​ a miniature novel,’ we read in the introduction to this collection of Marcel Proust’s newly discovered letters, ‘C’est un vrai petit roman.’ It’s such a perfect novel that it looks like a hoax. Twenty-six letters from Proust to his upstairs neighbours at 102 boulevard Haussmann, none of the letters heard of before, many of them...

Once​ upon a time there was a place called Europe. All the paintings there were by Klimt and all the music by Mahler. No, there were also special Richard Strauss evenings, and the cafés played Johann Strauss waltzes all the time. Everyone was analysed by Freud, but it didn’t make any difference. They were very rich and they had terrific furniture. Many of them were waiting for...

Asked​ for his response to those critics who saw in The Wolf of Wall Street an undiluted celebration of the bad life – drugs, sex, money, jewels, a very large yacht and expensive suits – Leonardo DiCaprio said: ‘If they don’t get the irony of it, sorry.’ He was right to refute the idea the film is a simple celebration, but there isn’t any irony either....

At the Movies: ‘12 Years a Slave’

Michael Wood, 6 February 2014

F or much of the time Steve McQueen’s 12 Years a Slave strikes a curiously stately rhythm, as if it didn’t want to be a movie but an art exhibition or a class in design. The frame fills with colours and lines, gold, green, black, yellow, dusty grey, sharp, blurry, fading. The effect is one of pure abstraction, and very beautiful. This effect remains even when the colours and lines...

Pirouette on a Sixpence: Untranslatables

Christopher Prendergast, 10 September 2015

O n​ the face of it a Dictionary of Untranslatables looks like a contradiction in terms, either self-imploding from the word go, or, if pursued, headed fast down a cul-de-sac in which it is...

Read more reviews

It took a very special kind of invention to get an awareness of the ‘erratic truth of death’s timing’ into a medium of mass entertainment.

Read more reviews

I told you so! oracles

James Davidson, 2 December 2004

I don’t believe in astrology, but I also know that not believing in astrology is a typically Taurean trait. When I first caught a bright young friend browsing in the astrology section of a...

Read more reviews

And That Rug! images of Shakespeare

Michael Dobson, 6 November 2003

Above the entrance to the saloon bar there is a picture of Shakespeare on the swinging sign. It is the same picture of Shakespeare that I remember from my schooldays, when I frowned over Timon of...

Read more reviews

Unspeakability

John Lanchester, 6 October 1994

Musing over Don Juan, Byron asked his banker and agent Douglas Kinnaird a rhetorical question: ‘Could any man have written it – who has not lived in the world? – and tooled in a...

Read more reviews

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

Sign up to our newsletters

For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.

Newsletter Preferences