Michael Mason

Michael Mason, who died in 2003, taught English at UCL. He is the author of the two-part study, The Making of Victorian Sexuality and The Making of Victorian Sexual Attitudes.

Oedipal Wrecks

Michael Mason, 26 March 1992

Kurt Vonnegut will be 70 this year. At this age he would indeed be a remarkable writer if his latest book – which is a collection of occasional pieces in the vein of the earlier Wampeters Foma and Granfaloons (1975) and Palm Sunday (1981) – had broken much new ground. In that sense his detractors and his admirers need not fall out on this occasion. The essential familiarity of the manner and matter of Fates Worse than Death should not give comfort to the former, or worry the latter (who will, rather, enjoy a pleasure like that of knowing that a valued friendship is still intact). But the accusation of repetition or stagnation, against Vonnegut, goes back a long way: to epochs in his career where the admirers probably do need to be able to locate novelty and growth if they are to make more than modest claims for his achievement.

Letter

One Sex or Two

8 November 1990

Michael Mason writes: At no point in my review did I deny that the interplay of cognitive with ideological and political factors in the history of ideas about sexuality is, and is bound to be, horribly complex. I did say that Professor Laqueur seemed to have fallen back on a procedure in which complexity was exaggerated, rather than clarified as far as it truthfully could be. By contrast, it was he...

Do women like sex?

Michael Mason, 8 November 1990

The other day I came across an article by Professor Laqueur, written some fourteen years ago, which makes a striking and dismaying contrast to the book he has just published. The contrast is fairly significant of the destructive potential of the New Historicism for the writing of history. Happily Professor Laqueur’s case is unusual, for the community which has shown by far the most susceptibility to this new and potent intellectual virus is the literary one, rather than the community of historians. And there is no great loss to culture if literary academics turn into New Historicists – to such lengths has the process of self-disablement as an intellectual enterprise been carried by literary studies in the last two decades.’

Denying Dolores

Michael Mason, 11 October 1990

As commonly happens when an emotionally charged issue is widely discussed, the controversy in Britain over child sex abuse (which I shall call CSA) is rife with embattled feeling. Everyone, whatever their point of view on the question, seems to imagine that those holding the opposite belief are in the majority, a necessarily dangerous majority. As far as I know, beliefs about CSA – on its prevalence, its gravity, and what society should do about it – have never been polled in Britain, but not everybody can be right to feel on the defensive (even though the arithmetic of opinions is complicated by people’s ability to hold inconsistent views: for example, as to whether local social services are insufficiently vigilant, or too quick to interfere, where parents and children are concerned). In particular, one or other of the books reviewed here must be wrong in its apprehensions about the state of public opinion – and to that extent attacking a straw man.’

Letter

Anti-Wordsworthian

7 December 1989

What a preposterous piece by John Bayley on Wordsworth and Coleridge (LRB, 7 December)! This was meant to be a review of two books on Coleridge and one on Wordsworth. It hardly mentioned the last of these, but the discussion of Coleridge was filled with and disfigured by hostility towards Wordsworth. Sometimes this was frankly potty: as in the proposal that Wordsworth’s diction is in some way out...

Body Parts

Lawrence Stone, 24 November 1994

All my lifetime, until very recently, conventional wisdom has had it that there was something very peculiar about the ‘Victorian’ era. Since about 1910, its values and practices have...

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Wordsworth and the Well-Hidden Corpse

Marilyn Butler, 6 August 1992

‘The best-known publication date in English literature,’ says Michael Mason of 1798. But the terse, intelligent Introduction to his new edition of the Lyrical Ballads seems out to...

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