Michael Hofmann is a poet and translator from German of books by Thomas Bernhard, Jenny Erpenbeck, Günter Grass, Franz Kafka, Joseph Roth and Patrick Süskind, among many others. He teaches at the University of Florida. He has contributed dozens of poems to the LRB since 1980 and more than sixty pieces, on subjects including Stefan Zweig, Bohumil Hrabal, Halldór Laxness, Caspar David Friedrich and boarding schools.
It felt like my life talking to me – after two months, talking to me again – saying it had bought a new duvet but was still dithering on the matter of children, that it had been seeing a lot of its friends – it wondered whether it was truly in love with me – and had enjoyed some pleasantly successful moments at work, but it wasn’t eating or...
Who grows old in fifty pages of Plutarch: mores, omens, campaigns, Marius at sixty, fighting fit, working out on the Campus Martius?
It surely isn’t me, pushing thirty, taking a life a night, my head on a bookshelf, five shelves of books overhead, the bed either a classic or remaindered?
– I read about Crassus, who owned most of Rome. Crassus, the third man, the third triumvir,...
The crazy zocalo tips at a loco angle. It pours three hundred infant girls, dressed like Christmas tree fairies, down the church’s throat, singing. A thin trickle of demonstrators chant ‘Mexico!’ uphill.
Whitewashed against white ants, the yew tree trunks look spindly and phosphorescent, like stalagmites in the cavern of their shade. The birds won’t sing. An...
The brick ship of Victorian science steamed on, ivy beard, iron beams and stairs,
iron paddleboat pillars. A pair of whiskery Germans, father and son, had specialised in fixing in glass
some of the degenerative conditions of fruit. A split blue peach, a bough laden with gangrene –
all pocked, opaque, Venetian, venereal ... Dry air, manila light, cardboard and silence,
anything...
After thirty years teaching German literature and writing radio plays, my father suddenly began to write fiction. Our Conquest was his fifth book in five years, and the second to be translated into English. (He has since published three others in Germany). The sense of the possessive in the title is objective: it is we who have been conquered. The book plays for roughly the first 24 hours of peace in a small town in Germany, on a Wednesday in May 1945; and yet, as we shall see, and as the translation has it, a little fortuitously, because the word is Ruhe (‘quiet’), ‘there’s never a moment’s peace in our town.’ There is a famous concrete poem/ calendar which goes something like Krieg/ Krieg/ Krieg/ Krieg/ Mai/ Juni/ Juli, but to the world of my father’s novel, things are rather less clear-cut and progressive. There, the fighting is over, but the war is still everywhere.
Michael Hofmann talks to Declan Ryan about his first new collection in almost two decades, One Lark, One Horse.
Documentary has customarily been regarded as a genre duty-bound to deal in facts. But the only duty Herzog has ever felt as a filmmaker is, as he puts it, to ‘follow a grand vision’.
Kafka wrote that, were it not for the final act, Michael Kohlhaas would be ‘a thing of perfection’, which is a diplomatic way of saying that Kleist absolutely butchers it. In fact, one of...
Many poets end up having a hard life but W.S. Graham went out of his way to have one. His dedication to poetry, about which he seems never to have had a second thought, was remorseless, and his instinct,...
Remarque apparently knew that The Promised Land would be his last novel, and meant it to be one of his finest, perhaps his masterwork.
Jakob Wassermann, who published nearly a book a year for the last thirty years of his life but died broke and exhausted, soon to be forgotten, on 1 January 1934 at the age of sixty, was well...
‘Literature should be naked,’ Peter Stamm writes. Words should never obscure the story, ‘its warmth, its form, its vitality’. It’s form that critics in Germany and...
On Tuesday, 17 October 1911, 18-year-old Rudolf Ditzen, the future Hans Fallada, got up before dawn to meet his schoolfriend Hanns Dietrich von Necker at a tourist spot outside Rudolstadt in...
As any adult can tell you – or any adult not given over entirely to mawkish and convenient notions of innocence – children are born spies. Every parent (previously an independent...
The two central facts about Malcolm Lowry are that he wrote and that he drank. He drank while writing – or possibly he wrote while drinking. When he died in June 1957 after downing a lethal...
Between 1951 and 1954, Wolfgang Koeppen published three scathing, disillusioned novels ridiculing the notion of a new start and a clean slate for West Germany. At the time, perhaps as many as 80...
Michael Hofmann’s poetry is a lament for a lost world. Some years ago, in an article on Frank O’Hara, he talked about New York no longer being the thrilling place it had been in the...
With Joseph Roth, you begin – and end – with the prose. The great delight of this Austrian novelist, who wrote in the Twenties and Thirties, lies in his strange, nimble, curling...
At the age of 48, after thirty years of lecturing on German literature and writing radio plays, Gert Hofmann began to produce disconcerting novels. Michael Hofmann, his son, the poet, confronted...
‘I was not myself. I was just anyone.’ The person who says ‘I’ in Michael Hofmann’s earlier poems is uncertain, diffident, angry; he seems both gnarled and youthful,...
This German novel has waited nearly forty years for its English translator. Michael Hofmann fell in love the moment the Good Fairy told him about it, and set out to liberate it from the thorn...
Wim Wender’s very pleasurable Paris, Texas (1984) is both an American movie and a European film. Its creative pedigree is mixed – all through the credits: the German Wenders as...
Attentive readers of the Guardian’s news pages will already know about Arabesques. A 1986 report from Jerusalem told readers of a first novel by a 36-year-old writer which was making a big...
In his autobiographical papers, Surely you’re joking, Mr Feynman?, the Nobel Prize-winning physicist, Richard Feynman, describes being piqued by an article in Science about how well...
The acrimony in Michael Hofmann’s book is that of a son towards his father. Like a family photograph album, the sequence ‘My Father’s House’ records the son’s growth...
There remains a most decided difference – indeed it grows wider every year – between what Philip Larkin calls ‘being a writer’, or ‘being a poet’, and managing...
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