Mark Ford teaches English at UCL and presents the LRB podcast series Close Readings with Seamus Perry. Woman Much Missed: Thomas Hardy, Emma Hardy, and Poetry is out now.
The protagonist of ‘The Enduring Chill’, a short story Flannery O’Connor began in the autumn of 1957, is a 25-year-old would-be writer called Asbury Fox, who has been forced to return from Manhattan to the family farm in rural Georgia on account of a mysterious illness from which he believes he is dying. His path-breaking play on ‘the Negro’ has not yet been...
‘Prends l’éloquence et tords-lui son cou!’ Verlaine resonantly, and eloquently, declared in his ‘Art poétique’ of 1874. The line must have lodged in Edward Thomas’s mind: in May 1914, some six months before his late efflorescence into verse at the age of 36, he wrote to Robert Frost of his longing to ‘wring all the necks of my rhetoric...
(after Tacitus)
Turning to Caius Petronius, there are a few things about him that deserve To be remembered: he liked to sleep all day, then devote his nights To business – or pleasure. Most have to work hard To become well known, but it was idleness that propelled Petronius to fame. He differed, though, from most debauchee or wastrel-types, For he was a cultured, exquisite master of the...
‘Home,’ Mary suggests in Robert Frost’s 1914 poem ‘The Death of the Hired Man’, ‘is the place where, when you have to go there,/They have to take you in.’ To which her husband, Warren, replies: ‘I should have called it/Something you somehow haven’t to deserve.’ Home is Marilynne Robinson’s third novel; published four years...
It was a curious set of circumstances that in 1820 drove James Cooper (the ‘middle surname’ Fenimore would not be added for another six years), the son of one of post-independence America’s wealthiest land speculators, to embark on a career in the dubious and unpredictable world of novel-writing. Almost nothing in Cooper’s life up until that year, in which he turned...
Seamus Perry and Mark Ford discuss the lives and works of two poets, Frank O’Hara and John Ashbery, close friends and leading lights of the New York School, who sought to create an anti-academic...
Seamus Perry and Mark Ford look at the life and work of Charlotte Mew, who brought the Victorian art of dramatic monologue into the 20th century, and whose difficult experiences are often refracted through...
Seamus Perry and Mark Ford turn to the life and work of W. B. Yeats in the latest episode in their second Close Readings series, Modern-ish Poets.
Seamus Perry, Mark Ford and Joanne O‘Leary discuss the life and work of Emily Dickinson, her dashes, death instinct and obliquity.
Seamus Perry and Mark Ford discuss the life and work of Louis MacNeice, the Irish poet of psychic divisions and authoritative fretfulness.
Seamus Perry and Mark Ford discuss the life and work of the Saint Lucian poet, playwright and Nobel laureate Derek Walcott.
In this episode, Seamus Perry and Mark Ford turn to the life and work of Adrienne Rich, the great poetic interrogator of the American family home as a site of trauma for daughters and wives.
Seamus Perry and Mark Ford look at the life and work of Robert Frost, the great American poet of fences and dark woods, in the latest episode of their second series of Modern-ish Poets.
In the first episode in a new series of Close Readings, Seamus Perry and Mark Ford take on Gerard Manley Hopkins: Victorian literature’s only anti-modern proto-modernist queer-ecologist Jesuit priest....
Mark Ford reads a selection of poems he’s published in the LRB.
Mark and Seamus are joined by Joanna Biggs, an editor at the LRB, to look at Sylvia Plath's life and poetry.
Mark Ford talks about his latest book Thomas Hardy: Half a Londoner with Seamus Perry.
Not unlike the God he complains about, Thomas Hardy’s smilingness is often in league with his sadism, and writing poetry was a way for him to plead innocent and guilty at the same time.
If Hardy was half a modern Londoner, the other half had a weakness for the pastoral-oracular. The two halves changed shape, feeding and modifying each other.
‘I have travelled a great deal,’ Raymond Roussel wrote towards the end of his life, ‘but from all these travels I never took anything for my books.’ It’s an odd...
Suppose, having been betrayed – ‘hooked/then thrown back’ – you decide to let your instant reflex, a desire for revenge, cool off overnight; then suppose you wake up the...
In 1924 the Surrealist Benjamin Péret was eager, like many artists then and since, to relate his own interests to the works of the rich, bizarre and innovative French poet, novelist and...
The excitable, exuberant surface of Mark Ford’s poems makes them instantly attractive. They speak with a bewildered urgency: See, no hands! she cried Sailing down the turnpike, And flapped...
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