Marina Warner

Marina Warner's ‘unreliable memoir’ about her parents in Cairo in the years after World War Two, Inventory of a Life Mislaid, is out now.

From The Blog
5 February 2019

Working with porcelain, the artist Rachel Kneebone makes whiteness reverberate to the depths. Shining, delicate and visceral, transcendent and perturbing, her work looks back to origins and forward to ends. 

Letter
Tim Marr rightly fine-tunes my account of the massacre of the Ephraimites in the Bible, emphasising that differences in pronunciation of the word for ‘river’ (shibboleth) were used to separate Them from Us (Letters, 22 November). He also refers to the more recent episode when Haitians in Dominica in 1937 were ordered to say ‘parsley’, perejil, and those who couldn’t roll their Rs Spanish-style...

In​ the early 1960s, David Hockney made a series of etchings inspired by the poems of Constantine Cavafy; he went to Egypt to discover the places Cavafy had drunk coffee and picked up lovers, but in the images it’s mainly Hockney’s own life and friends who figure. The etchings touch on rapture, and the frankness of their erotic pleasure at the sight and memory of boys in bed...

Flightiness: Airborne Females

Marina Warner, 30 August 2018

At​ the furthest edges of the known world, medieval travellers encountered creatures who held a single giant foot over their head as a makeshift parasol and fearsome hybrids with eyes peering out from their chests or set in the middle of their foreheads: they were classed as wonders, close kin to the monsters and dragons of classical genealogies. When Thomas Browne was considering the...

At Tate Liverpool: Surrealism in Egypt

Marina Warner, 8 March 2018

Art et Liberté​ was a movement that came into being in 1938 in Cairo. It was affiliated to Surrealism through contact with André Breton in Paris, and shared Surrealism’s spirit of rebellion and provocation, its desire for dream knowledge and penchant for manifestos. ‘Long live degenerate art’ was the title of its opening blast, printed in Arabic and French...

There can be no new reader, and therefore perhaps no wholly new reading of the collection of stories known as The Arabian Nights. Not because they have been exhausted by retelling and...

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A memorable image in Robert Musil’s Man without Qualities likens the impact of a certain character to that of a powdery avalanche. The effect of reading Marina Warner’s magisterial...

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Some Evil Thing

James Davidson, 18 February 1999

Marina Warner’s No Go the Bogeyman: Scaring, Lulling and Making Mock is an impossible book. It circles around monsters and the frightening of children, but it also has chapters on the...

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Once upon a Real Time

Wendy Doniger, 23 March 1995

If women are the ones who tell fairy tales, why do fairy tales paint such ugly pictures of women? Or, as Marina Warner puts it, ‘If and when women are narrating, why are the female...

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Fear of Rabid Dogs

Margaret Anne Doody, 18 August 1994

In his last days, the exiled and ageing Aristotle wrote to a friend: ‘The lonelier and the more isolated I am, the more I have come to love myths.’ We may puzzle over what Aristotle meant. Did he love...

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Sea Changes

Patrick Parrinder, 27 February 1992

The British, a nation of Sancho Panzas, like to dream of governing an island. The majority of ideal states both ancient and modern have been imaginary cities rather than sea-girt lumps of rock,...

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Making and Breaking

Rosalind Mitchison, 21 December 1989

Nobody could call Frank Honigsbaum’s book ‘user friendly’. Some reasons for its indigestibility are inherent in the topic: the moves, some effective, most frustrated, by civil...

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Let’s get the hell out of here

Patrick Parrinder, 29 September 1988

Here, in these three novels, are three representations of the state of the art. In The Satanic Verses the narrator, who may or may not be the Devil, confides that ‘what follows is tragedy....

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The nude strikes back

John Bayley, 7 November 1985

The psychologist John Layard – ‘Loony Layard’, as he is affectionately termed in one of Auden’s early poems – is said to have told a submarine officer that he had...

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Nationalities

John Sutherland, 6 May 1982

A new novel by Günter Grass invites comparisons of a national kind. If a British writer of fiction wished to engage with the big stories of the day – the kind of thing Brian Walden...

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Joan and Jill

V.G. Kiernan, 15 October 1981

In 1870, Daumier drew a cartoon of soldiers filing past a monument of the fatherland, with the caption: ‘Ceux qui vont mourir te saluent.’ Wandering about quiet French churches, one...

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