Lidija Haas

Lidija Haas is an editor at the Paris Review.

Dye the Steak Blue: Shirley Jackson

Lidija Haas, 19 August 2010

In Shirley Jackson’s best-known story, ‘The Lottery’, the residents of a small New England village get together on a summer morning to draw lots. The sun shines, the children play, the villagers chat: it takes a few pages to figure out that they’re deciding who should be stoned to death this year. The New Yorker published the story in 1948, and got more calls and...

Self-Unhelp: Candia McWilliam

Lidija Haas, 6 January 2011

Candia McWilliam is six feet tall and used to being stared at. She always looked ‘a bit thick’, she says, ‘where thick overlaps with apparently sexy’: a mixed blessing for anyone. Indeed, the looks could be a liability: on her first honeymoon, she was briefly kidnapped in Oaxaca by a gang who’d mistaken her for Jimmy Connors’s new wife, Playboy’s 1977...

What would it have been like to fall in love with the young Martin Amis, ‘the most fascinating man’ Gully Wells had ever met? ‘Only the most awful clichés,’ she tells us, ‘could possibly do justice to the way I felt.’ He was ‘very funny and very clever’; ‘he made me laugh and told me things I didn’t know.’ She is a bit...

At the height of the ‘warrantless wiretapping’ scandal of 2006 – George W. Bush had authorised the National Security Agency to monitor overseas phone calls involving suspected al-Qaida operatives, but it transpired that the surveillance extended to all electronic communication and web activity, foreign and domestic – Sherry Turkle went to a party celebrating the Webby...

Wholly Allergic: Georgette Heyer

Lidija Haas, 30 August 2012

When I complained to my mother that I’d run out of Jane Austen novels, she handed me one by Georgette Heyer. ‘It isn’t quite the same,’ she said, and even then – I was 10 – I could see that it was and it wasn’t. The romantic interest and sharp dialogue were similar, though not so nuanced; the supporting cast of aunts and neighbours comic, but not so...

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