Heart-Squasher: A Portrait of Lucian Freud
Julian Barnes, 5 December 2013
Rembrandt’s Artist in His Studio, c.1629, is a small picture with a blazing message. The viewpoint is that of one seated on the bare floor in the corner of an attic studio with crumbling plaster walls. On the right, in shadow, is the doorway. In the centre, with its back to us, is an enormous easel with a picture propped on it. On the left, barely half the height of the easel, stands the painter, brush and mahlstick in hand, dressed in his painting robe and hat. He is in shadow, but we can roughly make out his moon face as he stares at his picture.





