Jonathan Parry

At the time of writing, just after Parliament ‘took control’ and held eight indicative votes on alternative outcomes on 27 March, five things can be said. The first is that the British constitution is more robust, flexible and capable of dealing with intensely difficult issues than excited media commentators suggest. There are deeply rooted checks and balances that work against the assumption of arbitrary power by anyone, and this is understood by all the major actors. Prime ministers have to respect the norms of Parliament, however frustrating that may be when they lack a majority.

On 21 December​ 1859 John Tyndall, a professor of natural philosophy at the Royal Institution, set out to measure the structure and movements of the Mer de Glace, a glacier above Chamonix. In previous summers he had collected data on several Alpine glaciers, but no one had ever attempted to do so in winter. He got to Folkestone but bad weather meant crossing the Channel was impossible and...

Simon Heffer​ has had an idea. He has had them before, but he has fattened this one up into a book of enormous proportions. Huge quantities of factual narrative have been injected into it, in the hope of beguiling reviewers into acknowledging its historical respectability. For all that, the underlying argument is simple – the title gives it away. Britain began to go to the dogs in the...

On display​ in the Dutch House at Kew Gardens, the nursery of George III’s children, is a map copied by one of the royal infants from the jigsaws used by their governess, Lady Charlotte Finch, to teach them geography. It indicates, with affecting but spurious precision, the territorial boundaries of the 12 tribes of Israel, in what the children, like almost everyone else in the 18th...

In 1867, the British Government bought the V&A a cabinet, made by Messrs Wright and Mansfield, which had won the highest award at the Paris Exhibition of that year. It was 12 feet high, and made of satinwood, with an elaborate marquetry of coloured woods, gilt mounts and mouldings and Wedgwood plaques. It was an impressive piece, but more for its enormous size and laborious attention to ornate detail than for its gracefulness. It was, in other words, a classic example of Mid-Victorian taste. This volume in the New Oxford History of England is a fitting tribute to the qualities of that cabinet. Which is not to say that we should compare the author’s craftsmanship to that of Messrs Wright and Mansfield (though there are similarities). Rather, this is a book that celebrates the materialism of Mid-Victorian society, perhaps more unashamedly than any previous general history. Theo Hoppen is fascinated by the business of earning, spending and status, and his treatment of politics, religion and culture is profoundly and intriguingly affected by this concentration on profit, rank and display. This is the book’s major strength. Whether its relentless realism is also a weakness is a matter of taste.