John Barrell

John Barrell is an emeritus professor of English at Queen Mary, University of London and an honorary fellow of King’s College, Cambridge and of the British Academy. His books include The Dark Side of the Landscape: The Rural Poor in English Painting, 1730-1840 and The Political Theory of Painting from Reynolds to Hazlitt: The Body of the Public. He edited The Penguin Book of Pastoral Verse and The Complete Writings of William Fox.

Unwarranted: John Wilkes Betrayed

John Barrell, 6 July 2006

The last time I wrote for the LRB, I mentioned a speech made by Tim Collins, the then shadow education secretary, calling for a review of the teaching of history in schools. ‘Nothing is more important to the survival of the British nation,’ he had declared, ‘than an understanding among its young of our shared heritage and the nature of the struggles, foreign and domestic,...

In a speech given early last month, Michael Howard shared his thoughts on education with the Welsh Conservative Party Conference in Cardiff. He was mainly concerned with the problem of discipline. ‘Guess which class children are most likely to misbehave in?’ The answer turned out to be Citizenship. And which subject would best teach children ‘respect for authority and the...

The Reptile Oculist

John Barrell, 1 April 2004

John Taylor, the journalist, newspaper editor and poet, was born in 1757. His grandfather, the legendary ‘Chevalier’ Taylor, had been oculist to George II, and afterwards, so his grandson assures us, to ‘every crowned head in Europe’. He was as famous for his womanising as for his knowledge of ophthalmology, but most famous, perhaps, for his habit of prefacing every...

Divided We Grow: When Pitt Panicked

John Barrell, 5 June 2003

The London Corresponding Society was founded early in 1792 by a group of tradesmen who met in a pub off the Strand. The Society was to educate its members – expected to be artisans, mechanics, shopkeepers – about politics and history, and would function as a pressure group to persuade the Government to adopt the ‘Duke of Richmond’s plan’, the twin reforms of...

The popularity of what is known as ‘literary biography’ suggests that there is a large audience eager to read about literature, but one that is not to be persuaded that the works of their favourite authors can be understood only in the detailed historical context in which they were produced, or only in reference to some elaborate theory of writing or reading, or only in comparison...

In the 1790s revolutionaries on both sides of the Channel abandoned wigs and powder for hair worn au naturel. The English jacobin John Thelwall, tried for treason in 1794, cut his short in the...

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Great Palladium: treason

James Epstein, 7 September 2000

According to the English statute of treasons drawn up in 1351, it was an offence to ‘compass or imagine the death of our lord the king’. The meaning of these strange words was already...

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Into the Gulf

Rosemary Hill, 17 December 1992

No one ever failed more completely to be the hero of his own life than the painter Benjamin Robert Haydon, for whom heroism was an obsession. He used his own head as a model for Christ, Solomon,...

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Elizabeth’s Chamber

Frank Kermode, 9 May 1991

De Quincey, who declared in his Suspiria that remembered dreams were ‘dark reflections from eternities below all life’, would not have been surprised that modern critical analysts try...

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Re-Readings

Chris Baldick, 10 November 1988

Academic publishers in Britain are relying increasingly upon the series of monographs, a form which permits the development of brand loyalty and which allows a few excellent literary...

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A Republic of Taste

Thomas Crow, 19 March 1987

We inhabit at present a culture that assigns absolute priority to the simple existence of an art object over anything we might find to think or say about it. The latest overnight phenomenon in...

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Literature and the Left

Marilyn Butler, 18 August 1983

It is a surprise to find Raymond Williams, in the year of his retirement as Professor of Drama at Cambridge, editing a series called ‘Literature in History’. In a writing career that...

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Solitary Reapers

Christopher Salvesen, 5 June 1980

How salutary to feel guilty about enjoying paintings of the English landscape and peasantry. One aim of Dr Barrell’s book is to animate out suspicions about the difference between the...

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