Jeremy Harding is a contributing editor at the LRB. His books include Border Vigils: Keeping Migrants Out of the Rich World and Mother Country, a memoir. His essay collection, Analogue Africa: Notes on the Anti-Colonial Imagination, was published in March.
Work by 18 of the photographers with whom John Pilger has collaborated over the last thirty or forty years is on show in Reporting the World, at the Barbican Gallery until 30 September. The exhibition is a record of events we remember – vaguely or clearly – having followed and others that we didn’t follow, even if we tell ourselves now that we did. The themes, inevitably, are...
It hasn’t taken long, if you count from the first Nato bombing runs on Serbia in March 1999, to deliver Slobodan Milosevic up to The Hague. That’s the jaunty Foreign Office view, at any rate, and typical of Jack Straw, the new man at the helm: it’s all a bit like his asylum legislation – firm and fast, and maybe if Milosevic is very lucky, it’ll be fair. But if...
Objects from Africa displayed in galleries leave us bemused. We hesitate to use the word ‘art’ – this is not Giorgione or the Barbizon School or Howard Hodgkin – and hedge our bets with polite words like ‘artefact’ or ‘decoration’. African narrative and music have done better. World-music impresarios can market the virtuoso kora players of...
Illustrators of the Divine Comedy find it hard to graduate from Hell, easy going for all the arts, to Paradise, which can look dreary by comparison. The Inferno, after all, is of the earth – an interesting place – aligned with the loins of Lucifer, the gigantic armature which holds the damned in their place. Dante’s Paradise is about unmitigated light, before it drains...
John Lennon gave his famous interview to Jann Wenner of Rolling Stone magazine at the end of 1970, a few days before the release of the most important solo-Beatle record, John Lennon/Plastic Ono Band. Rolling Stone published the interview early the following year, with the album already in the shops. Between them, the record and the interview seemed to round off the 1960s nicely – or...
Jeremy Harding talks to Tom about the long and resilient reign of King Hassan II of Morocco, and its repressive measures, as described in a new book by Aziz BineBine, who suffered 18 years of brutal detention...
Jeremy Harding discusses the politics of migration.
Elaine Mokhtefi talks to Jeremy Harding about her time working in Algeria in the 1960s when she met Black Panther leader Eldridge Cleaver.
In his latest book Heaven on Earth art historian T.J. Clark draws on examples from Giotto to Picasso to provide an exciting new history of the depiction of the divine. He talks to LRB contributing editor...
Jeremy Harding and Adam Shatz look back at their pieces for the LRB reporting from North Africa and the Middle East.
Jeremy Harding examines the work of Malian portrait photographer Seydou Keïta and the lively collaboration between himself and his sitters in the years before Mail’s independence.
Jeremy Harding talks about the politics of migration and the battle at Europe’s borders.
‘In olden times, which is when God was deciding what blessings he would give to the countries he was creating, after a long while he finally got to Angola and he asked Gabriel his angel to...
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