Jenny Turner

Four years ago I promised myself that if I ever wrote a piece about fashion, I would put in the story of going to see my brother’s body and buying an outfit at the Aberdeen branch of Topshop directly before or afterwards, I don’t remember which. I went shopping supposedly to find a brown jumper to wear with the neat black skirt suit I had packed in my bag from London; the suit I had bought a couple of months before for a wedding, with the idea of looking like Mary Archer. In the event, though, I didn’t find the right brown jumper; I forget, come funeral day, what I actually wore. But I did get a nice skirt in Topshop, brown tweed with crooked pleats. I did get a useful smock top, thin but cosy, nicely draped. Both items I wore almost solidly throughout that winter season, feeling a strange new swing in my step. Both items I have worn only a little less solidly every winter since.

Rand is everywhere on the internet: stickers, coasters, car number plates, CDs featuring a Randian ‘Concerto of Deliverance’ at starshipaurora.com. Randians can meet ‘at least’ four thousand others, it is claimed, through the Objectivist dating agency at theatlasphere.com, which last January carried an ad for an Ayn Rand social evening at a New York City restaurant called Porter’s (the evening was to feature ‘gourmet hors d’oeuvres’ served by ‘uniformed strolling waiters’ and ‘an artistically decorated birthday cake’). Professional philosophers can join the Ayn Rand Society at aynrandsociety.org; people in easy reach of Denver can choose between FROG (Front Range Objectivist Group), FROST (Front Range Objectivist Supper Talks) and FROLIC (Front Range Objectivist Laughter Ideas and Chow). Names pop up from website to website, agreeing and disagreeing, welcoming and banning, calling for papers, publishing books.

I hadn’t read a Stewart Home book for years when I started the new one, 69 Things to Do with a Dead Princess. Let me be more precise. I hadn’t read a Home book properly since 1996, when I spent six months in a room in Brixton, so damp it had plants from outside growing up the insides of the walls, trying to write about him but unable to build a journalistic structure into which...

A writer, born around 1890, is famous for three novels. The first is short, elegant, an instant classic. The second, the masterpiece, has the same characters in it, is much longer and more complicated, and increasingly interested in myth and language games. The third is enormous, mad, unreadable. One answer is Joyce, of course. Another – The Hobbit (1937), The Lord of the Rings (1955),

We all know of writers who just keep writing the same book, but what is sadder is when a true writer seems to run out of books. T.S. Eliot observed that to continue to develop stylistically, a writer had to continue to develop emotionally … It is a commonplace of psychology that human beings, beyond a certain age, find it difficult to supplement their personalities with new emotional understandings. If this happens to the writer, she is lost.