Jenny Diski

Jenny Diski was born in London in 1947 and went into foster care at the age of eleven. As a teenager she spent time in psychiatric wards, before being taken in by Doris Lessing, the mother of a schoolfriend. When the LRB’s first editor, Karl Miller, met her in the early 1990s, Diski had been divorced, published five novels and was writing a column about supermarkets in the Sunday Times called ‘Off Your Trolley’. Her first piece for the LRB was a Diary about her ‘ex-Live-in-Lover’. She went on to write six more novels and more than two hundred pieces for the paper, on subjects as diverse as Roald Dahl, disgust, Jewish seafaring, Mrs Freud and Mr Thatcher, Antarctica and UFOs, but her best subject was always herself.

As Mary-Kay Wilmers wrote after Diski’s death in 2016, she ‘wasn’t self-obsessed’. When she heard that she had inoperable cancer she told the oncologist that ‘under no circumstances is anyone going to say that I lost a battle with cancer. Or that I bore it bravely.’ But she embraced ‘the worst cliché of all’, the cancer diary (‘another fucking cancer diary’); seventeen entries were published in the LRB and collected after her death as In Gratitude. A selection of her essays, Why Didn’t You Just Do What You Were Told?, came out in 2020.

A few years ago, someone asked how it came about that I ended up living with Doris Lessing in my teens. I was in the middle of the story of the to-ing and fro-ing between my parents and was finally reaching the psychiatric hospital bit when the man said something extraordinary, something that had never occurred to me or to anyone else to whom I’d told the story. ‘Why didn’t you just do what you were told?’ he asked. I was lost for words.

The treatment​’s over and done with. First from August to October, the three cycles of chemotherapy, then I graduated from the poison infusions to the death rays, with daily radiotherapy throughout November (weekends off). All done: the killing of cells in my body, the ‘good’ along with the ‘bad’, all of them just being, reproducing and doing whatever else...

Doris and Me

Jenny Diski, 8 January 2015

I don’t remember the exact date when I went to live in Doris Lessing’s house in Charrington Street, north of King’s Cross. I think of it as being just a few weeks after Sylvia Plath killed herself in early February 1963. The suicide was still very raw and much discussed by Doris’s friends. So at the earliest towards the end of February. In any case it was before Easter, which fell in April that year, because at long last, released from my father’s prohibitions, I went on the Aldermaston March. (‘Ignorant, unwashed mob. You can’t go, you’ll be raped, and that’s that.’)

The Screaming Gynaecologist

Jenny Diski, 4 December 2014

After​ waiting that long week for the results of my post-chemo scan, the answer to the hovering question about the effect it had on the tumour in my lung and the affected lymph nodes was much the same as most eagerly awaited answers to important questions. Inconclusive. As I’m learning to expect, nothing very decisive has resulted from the treatment. After three cycles of...

Tick.​ The final infusion of the three 21-day cycles of chemo is done. I’ve been of a mind to follow Alan Bennett’s excellent observation that he doesn’t wish to be so familiar with the treatment as to call it by its nickname. But adding the ‘therapy’ each time has become peculiarly tedious and needlessly pointed. Back when, I used to pronounce R.D....

Montaigne had his own literary stalker. Eight years after the Essays first appeared in 1580, he received a breathless letter from a young woman called Marie le Jars de Gournay, who declared...

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A good God is hard to find: Jenny Diski

James Francken, 4 January 2001

Was God created by a woman, a writer who dreamed up the early stories in the Bible? Differences in vocabulary and style suggest that the Old Testament is a composite of various sources. The...

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Bad Blood

Lorna Sage, 7 April 1994

This is a compendious, layered novel – see ‘historiographic metafiction’ in the narratology handbook – the sort of novel that intercuts time zones and genres of fiction...

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Drabble’s Progress

John Sutherland, 5 December 1991

Some readers do not much like Margaret Drabble’s later novels because they are so different from her earlier successes. She may have lost one public and not as yet entirely won over...

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