Jacqueline Rose

Jacqueline Rose’s The Plague – Living Death in Our Times was published by Fitzcarraldo this summer. She is co-director of the Birkbeck Institute for the Humanities.

Failed State: David Grossman

Jacqueline Rose, 18 March 2004

In David Grossman’s 1998 novel, Be My Knife, an antiquarian book-dealer starts a passionate correspondence with a woman whom he has barely caught sight of across a room. The unlikely circumstances of their relationship, its unusual fusion of intimacy and distance, allow them to say, or rather write, things which neither of them has ever admitted before. Lost to each other and...

Ever since the fall of Baghdad, when looters went rampaging through the city, a centuries-old assumption about ‘the people’ has lurked, barely spoken, beneath the ghastly aftermath of the war. It is that the people, meaning ‘people en masse’, are incapable of restraining themselves. In the case of Iraq, two further assumptions are in play. First, people freed from the...

Deadly Embrace: suicide bombers

Jacqueline Rose, 4 November 2004

“On the one hand, suicide bombers are beyond understanding. On the other, the mind of Islam can be uncovered in its most intimate detail. Reuter opens his book by asking: what motivates a suicide bomber? Or rather: what ‘kind of people’ are they? He knows there is no answer. Suicide bombers are not a species. He also knows that the question is loaded. If suicide attacks are political, they call for a political response. If they stem from ‘perversity’, then the perpetrators can be treated as a ‘criminal sect’, to be isolated, arrested, suppressed. Behind the argument that suicide bombers should not, or cannot, be understood lies a subtext of dehumanisation.”

Entryism: ‘Specimen Days’

Jacqueline Rose, 22 September 2005

At the centre of Michael Cunningham’s new novel, in the second of its three tales, Cat, a black woman police investigator in New York, has the job of receiving and recording the calls of people threatening to blow themselves and others to pieces. Only because these deranged stories have become too familiar does she miss the one who really means it, a young boy, who, without forewarning or apparent motive, goes up to a stranger in Central Park, embraces him and explodes. He is part of a cell, or ‘family’, of drifting boys taken up by an old woman who goes by the name of Walt Whitman – whose poetry they all cite and whose vision they share. ‘Nobody really dies. We go into the grass. We go into the trees.’ ‘Of your real body and any man’s or woman’s real body,’ Whitman wrote in ‘Starting from Paumanok’, ‘Item for item it will elude the hands of the corpse-cleaners, and/pass to fitting spheres.’ No doubt with his mind partly on 9/11, but with striking resonance for London this July, Cunningham brings suicide bombing, via Whitman, who haunts all three stories, into the visionary heart of America.

Whether or not it will actually happen, it seems clear that America is planning its next global intervention on behalf of the new century to be in Iran. As with Iraq, the ostensible motive or pretext will be disarmament. Despite the catastrophe of the Iraqi adventure, the United States government has not wavered in its belief that the question of which countries, or rather which rulers, have...

Boris Johnson’s japes are comparable in neutralising effect to the softening charm of Tony Blair. How can such a matey, blokey person, ‘someone you could have a pint with’, possess darker, colder...

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‘Profonde Albertine’, the narrator writes close to the end of Proust’s novel. By ‘deep’ – profonde – he means ‘unreachable’. She was mostly...

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Jacqueline Rose has written a timely and courageous book. One immediate sign of this is its dedication to the late Edward Said, and its rewriting of the title of one of his most important books,

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There are good reasons, and a few bad ones, for lifting minor characters out of famous texts and putting them centre-stage. One bad reason might be that refiguring a large reputation quietly...

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Homelessness

Terry Eagleton, 20 June 1996

In the days of F.R. Leavis, English literary criticism was wary of overseas, a place saddled with effete, Latinate languages without pith or vigour. Proust is relegated to a lofty footnote in...

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Slick Chick

Elaine Showalter, 11 July 1991

We all know the story. A brilliant, neurotic young American woman poet, studying on a fellowship at Cambridge, meets and marries the ‘black marauder’ who is the male poet-muse of her...

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