Ian Penman

Ian Penman’s essay collection It Gets Me Home, This Curving Track came out in 2019.

Wham Bang, Teatime: Bowie

Ian Penman, 5 January 2017

People still get into knots about the ‘mystery’ of Bowie’s serial life-swapping in the 1970s, but he’d been pulling the same trick for years on the perimeter of Tin Pan Alley before he applied it to rock. A bit of sci-fi, a bit of up-in-the-air sexuality, a bit of scarves-in-the-air sing-along, a bit of an ‘Oh no he isn’t!’ panto vibe, and a lot of power chords.

Ways to Be Pretentious

Ian Penman, 5 May 2016

Patti Smith, who turns seventy this year, has had just one hit single (1978’s ‘Because the Night’) in forty years, and the only one of her 11 albums with an unassailable reputation is her glorious debut, Horses. I’ve known many people who dearly love Horses, but I can’t recall a single person ever declaring a passion for any of the other work, intermittent poetry and photography included. For a while now, Smith has been the sort of feel-good, feels-real celeb who gets invited to ‘guest edit’ Vogue when the Dalai Lama is resting.

Swoonatra

Ian Penman, 2 July 2015

Even into late middle age, even for his closest buddies, carousing with Sinatra was a serious three-line whip: beg off early, fall asleep, order a coffee instead of Jack Daniels, and you risked expulsion, exile, the Antarctica of his disaffection. He could not abide the ends of days: it was one thing he had no control over. So he made an enemy of the clock, of merely human time, each night’s feeble apocalypse: that dire moment when the ring-a-ding bell must be wrapped in cotton wool and stowed away. Then came the risky, occluded territory of sleep.

Shapeshifter: Elvis looks for meaning

Ian Penman, 25 September 2014

In the spring of 1965, on the road between Memphis and Hollywood, desert plains all around, his bloodstream torqued by a tinnital static of prescription ups and downs, Elvis Presley finally broke down. He poured out his troubles to Larry Geller, celebrity hair stylist and, lately, something of a spirit guide for Elvis. Geller had given him a mind-expanding reading list of what we would now recognise as New Age self-help books. Elvis had read them all, performed all the meditations, but didn’t feel the light, not in mind, body or soul. The fire refused to descend; his spiritual air remained a vacuum.

From The Blog
14 July 2014

Last week someone on Twitter sent me a photograph of the late German iconoclast Rainer Werner Fassbinder, decked out in the crisp white livery of FC Bayern Munich. Ach, der einzige Fassbinder! A waxy faced slob who worked harder than anyone alive; a queer and dreamy aesthete who necked Bavarian beer by the steinful and counted German league football an all-consuming passion. (All Fassbinder’s passions were all consuming: this was both his song, and his downfall.)

Fassbinder predicted a world of ubiquitous screens. He was flamboyantly gay, proudly ugly, extremely left-wing, outrageously productive and had an astonishing eye. It’s easy to imagine him, if he’d...

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Secretly Sublime: The Great Ian Penman

Iain Sinclair, 19 March 1998

One of the myths that fuzzes the shadowy outline of Ian Penman, a laureate of marginal places, folds in the map, is that Paul Schrader, the director of a sassy remake of Jacques Tourneur’s

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