Hugh Barnes

Hugh Barnes, formerly on the LRB’s editorial staff, is the author of three books (Special Effects, Gannibal and Understanding Iran) and the editor of green-socialist.com. He is currently based in Kyiv.

 

Return of the Native

Hugh Barnes, 7 March 1985

Homesickness is fabulous magic. Even as the world shrinks and the epic edge is blunted, the resettlement myth persists. Ulyssean travelogues are few and far between in Caryl Phillips’s The Final Passage and the novels of Paule Marshall, but families uproot themselves. Their stories correspond, but not in time or place. Phillips’s travellers leave their small Caribbean island for Britain in the 1950s, when prospects were cheery. The white folks of the West had never had it so good: too good, or so their masters told them, to settle at menial labours. Since the publication of her first novel, Brown Girl, Brownstones, in 1959, Paule Marshall has been weaving a delicate history of the Barbadians who emigrated to America earlier in the century. Stepping off the boats, though not all were so fortunate, the wayfarers arrived in their new homes with nothing to declare but memories and aspirations.

Show People

Hugh Barnes, 21 February 1985

Show people pretend to be other people most of the time, they act out fictional lives. It’s nice work and reasonably well-paid. Also, if Beryl Reid and Candice Bergen are to be believed, they get to meet a regular mixture of super-rotters and superstars in far-flung corners of the world. But it must be devilishly frustrating. There are chat-shows, of course, and autobiographies (often complementary) to set the record straight, but these are poor substitutes. Is real life that important anyway? Both these books sport impressive supporting casts, which run into the glittering hundreds. Sir Richard Attenborough is the common factor. Bergen was his co-star in a film called The Sand Pebbles, shot on location in the Far East. Out of hours, while the other actors, Steve McQueen amongst them, were busy getting drunk and chasing women, Dickie (bless him) was ‘acquiring art and informing himself on the island’s politics, making underground contacts with the clandestine opposition on Taiwan’. Beryl Reid worked with him in less exotic surroundings, at the BBC. He probably spent his evenings at home with the telly. For the rest, their stories shed light on separate worlds. For instance, Charlton Heston dressed as Santa Claus was a feature of the Christmas parties Bergen went to as a child. Beryl’s heroes are a homely breed. She christened her cat Ronnie after Corbett.

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