Hanif Kureishi

Hanif Kureishi is a playwright, journalist and film-writer. His film My Beautiful Laundrette, directed by Stephen Frears, will be broadcast on Channel 4 on 19 February. Their new film, Sammy and Rosie get laid, is in production.

From The Blog
30 August 2018

One night, I went on a boat trip down the Bosporus with about a dozen models, fashionistas, several transvestites, someone who appeared to be wearing a beekeeper’s outfit as a form of daily wear, the editor of Dazed and Confused Jefferson Hack, and Franca Sozzani, the editor of Italian Vogue. We were in the European capital of culture, but it was like a fabulous night at the London club Kinky Gerlinky transferred to Istanbul and financed by the Turkish Ministry of Culture. At one end of the boat, in his wheelchair, was Gore Vidal. At the other end was V.S. Naipaul. It must have been June 2010 because I remember catching Frank Lampard’s ‘ghost goal’ against Germany on a TV in the hotel lobby just before we dashed out.

Story: ‘We’re not Jews’

Hanif Kureishi, 23 March 1995

Azhar’s mother led him to the front of the lower deck, sat him down with his satchel, hurried back to the bus stop to retrieve her shopping, and took her place beside him. As the bus pulled away Azhar spotted Big Billy and his son Little Billy racing alongside, yelling and waving at the driver. Azhar closed his eyes and hoped it was moving too rapidly for them to get on. But they not only flung themselves onto the platform, they charged up the almost empty vehicle hooting and panting as if they were on a fairground ride. They settled directly across the aisle from where they could stare at Azhar and his mother.

Story: ‘The Buddha of Suburbia’

Hanif Kureishi, 19 February 1987

One day, when my father came home from work, he put his briefcase away behind the door and stripped to his vest and pants in the front room. He spread the pink towel with the rip in it on the floor. He got onto his knees – and he was by no means a flexible man – placed his arms beside his head, and kicked himself into the air.

Menaces and Zanies: Hanif Kureishi

Nicholas Spice, 10 April 2008

Sometimes what is left out of a poem or a story creates a more arresting sense of reality than what is left in. Keats’s poetic fragment ‘This Living Hand’ ends with the hand...

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Hanif Kureishi’s father, like many fathers, hated his job (he was a clerk at the Pakistani Embassy in London). But unlike many fathers, he tried in his spare time to forge for himself an...

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Paradise Syndrome: Hanif Kureishi

Sukhdev Sandhu, 18 May 2000

Hanif Kureishi got me beaten up. Admittedly it was by my dad. At home, as at the factory where for more than half of his life he had been a semi-skilled machine operator, he preferred to...

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Dave Haslam, 20 July 1995

Pop music in Britain is almost forty years old. By 1957 ‘Rock around the Clock’ had opened a generation gap, London-based record labels like EMI, Decca and Pye had started to refine...

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Kureishi’s England

Margaret Walters, 5 April 1990

The ‘beautiful laundrette’ that provides the title for Hanif Kureishi’s first film catches the flavour of his very personal brand of humour – off beat, off-the-wall with a...

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