Geoffrey Wall

Geoffrey Wall teaches at the University of York. His translation of Flaubert’s Selected Letters was published in 1997.

Toad in the Hole: Tristan Corbière

Geoffrey Wall, 16 July 1998

Tristan Corbière’s only book, Les Amours jaunes, has been lost and found and lost again, ignored and praised, forgotten and rediscovered, in happy rotation, ever since it first appeared in 1873. Originally published at the author’s expense, it was discouragingly overpriced and quite out of place among the colourful wares of the Paris publisher Gladys frères, which ‘specialised’ in sentimental erotic fiction. Even the title may well have been a joke at the expense of early readers who would have been expecting something more conventionally carnal for their 7.50 frs. Corbière, true to form, is missing from the Harvard New History of French Literature, but this official banishment has gone unheeded, for he is back again, almost as good as new, in a parallel-text translation by Christopher Pilling.‘

A Gloomy Duet

Geoffrey Wall, 3 April 1997

Gustave Flaubert to Louis Bouilhet, 6 September 1850:

Two Letters from Gustave Flaubert to Louise Colet

Gustave Flaubert, translated by Geoffrey Wall, 22 June 1995

Croisset, 15-16 May 1852. Saturday-Sunday, 1 a.m.

The small hours of Sunday morning find me in the middle of a page that has taken me all day and is still far from finished. I am putting it aside to write to you, and in fact it may perhaps take me into tomorrow evening, since I often spend several hours looking for a word, and since I have several to find, it is quite likely that you would...

Letter
The LRB announces ‘the corruption of literary biography’ (LRB, 2 November). Can it be that simple? From the jottings of John Aubrey to Johnson’s Lives of the Poets, from the belligerent dynamism of Hazlitt’s Spirit of the Age to the sceptical ‘modernising’ of Lytton Strachey and Virginia Woolf, all the way to the anguished intimacies of contemporary pathography,...

Amused, Bored or Exasperated: Gustave Flaubert

Christopher Prendergast, 13 December 2001

And so another literary ‘life’, framed, as is the custom, by a beginning (childhood) and an ending (death), although Geoffrey Wall, on retiring from his story, decorates the frame...

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May he roar with pain!

John Sturrock, 27 May 1993

At the time, George Sand was the celebrity, a retired amorist and noted cross-dresser now publishing without strain two or three novels a year of the improving, marketable kind. Flaubert, too,...

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