Fredric Jameson

Fredric Jameson is Distinguished Professor of Comparative Literature at Duke. His many books include Postmodernism, or the Cultural Logic of Late Capitalism, The Political Unconscious and The Antinomies of Realism.

An Unfinished Project

Fredric Jameson, 3 August 1995

Walter Benjamin was not a letter writer of the order of Lawrence or Flaubert, for whom the medium of the letter seems to fill a need, not for mere self-expression, but for some larger exercise of the personality in exasperation or enthusiasm, in that almost instinctive enlargement of reaction to things which others find in unmotivated physical activity. Benjamin was, on the contrary, a person of the greatest reserve; even where he lets himself go with people he trusts, one has the feeling not of the revelation of some true inner self but merely of the relaxation of that reserve. The extraordinarily stiff manner of a central European bourgeoisie – which sought no doubt to designate a certain class pride by its eschewal of aristocratic nonchalance and easiness, as well as of the barbarism and ignorance of country nobles in general – is appropriated and made part of the personality, like a mask that grows onto the skin of your face. Such a reserve may well also express fear, both of the rituals of a class you detest and devote your life to undermining, and of the artificialities of the artists who secede from it. It is in any case very European, and has no American equivalent, even where writers like Henry James have thought it desirable to produce one.

Exit Sartre

Fredric Jameson, 7 July 1994

These two books take an essentially British perspective on the history of fellow-travelling in France since World War Two. Armed with the magic cap of François Furet’s ‘demystification’ of the Revolutionary ethos, they advance prudently into the thicket, gazing with chaste perplexity (and occasional exasperation) on the peculiar mores and customs of the denizens of outre-Manche, and in particular dwelling at some length on the Gallic overestimation of intellectuals as well as of the only too familiar (but evidently now extinct) ‘desire called revolution’. There is in this something of the wide-eyed fascination of children confronting an incomprehensible adult sexuality, but also a mild breath of the pastoral vocation. More modestly than those American economists who undertook to bring the good news of free enterprise to the post-Soviet dark ages in Eastern Europe, these writers both take satisfaction in their commitment to an ancient tradition of Anglo-American liberalism, whose moral and intellectual benefits they are prepared discreetly to administer to the Continent at the appropriate hour of need.

As William Blake finds eternity in a grain of sand, so Walter Benjamin’s Surrealist gaze finds momentous meanings in the trifling and discarded. In the same way, he believes that every moment of time,...

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We think​ of immigration as a movement in space, from one country to another. In conventional terms, those who were born in the United States are American; those who were not are immigrants....

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Jameson finds affect in the profusion of Zola’s France, the streets, the shops, the light, the crowds, the objects and animals, and his amazing examples – dead fish in a market, an array of cheeses,...

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Into the Big Tent: Fredric Jameson

Benjamin Kunkel, 22 April 2010

Fredric Jameson’s pre-eminence, over the last generation, among critics writing in English would be hard to dispute. Part of the tribute has been exacted by his majestic style, one...

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Walter Benjamin once remarked that what drove men and women to revolt was not dreams of liberated grandchildren but memories of oppressed ancestors. Visions of future happiness are all very well;...

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The major contribution of the English theatre to last year’s Brecht centenary was Lee Hall’s dazzling version of Mr Puntila and His Man Matti, presented by the Right Size, a touring...

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What We Have: Tarantinisation

David Bromwich, 4 February 1999

Post-Modernism entered the public mind as a fast-value currency in the late Seventies and early Eighties, in the field of architecture, where its association with gimmicky tropes of visual play...

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Some Versions of Narrative

Christopher Norris, 2 August 1984

Philosophers are understandably aggrieved when literary critics presume to instruct them in the finer points of textual interpretation. Particularly irksome is the claim of conceptual...

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