Elaine Showalter

Elaine Showalter is the author of A Literature of Their Own: British Women Novelists from Brontë to Lessing, among other books.

In the introduction to her new book, Touching Feeling, the queer theorist Eve Kosofsky Sedgwick describes its strange and haunting black and white cover photograph as ‘the catalyst that impelled me to assemble the book in its present form’. It depicts a woman clumsily embracing an object that resembles an enormous wasps’ nest made of sticks and twine. The woman’s eyes...

How to Be Good: Carol Shields

Elaine Showalter, 11 July 2002

The debate about women’s writing – is it too restricted, domestic and love-obsessed, in contrast to the more sweeping, historical, socially aware and experimental novels of men? – has been going on since Jane Austen’s day. Charlotte Brontë was one who rejected Austen’s plot, which she called ‘a carefully fenced, highly cultivated garden’....

What are academic instincts, and are they about more than survival? For Frederick Crews, emeritus professor of English at Berkeley, literary study in the university is a Darwinian battle for power and status, with professors ‘teaching the conflicts’ as they claw their way up the academic ladder. For Marjorie Garber, William R. Kenan Jr Professor of English at Harvard, the...

Diary: At Sundance

Elaine Showalter, 22 February 2001

It’s 5 a.m. and we are bundled up like Sherpas in our boots and sheepskins, boarding the plane to Utah with a contingent of young New Yorkers with pony tails talking into cellphones and carrying skis. They are buyers, development executives, actors, journalists, publicists, directors and producers, heading for the Sundance Film Festival, where they will wheel and deal. We are not here...

Fade to Greige: Mad for the Handcuff Bracelets

Elaine Showalter, 4 January 2001

One of the​ biggest draws in New York this season is the Armani retrospective at the Guggenheim. Designed by the Post-Modern artist Robert Wilson, who has draped the Frank Lloyd Wright spiral ramps with white gauze, bathed the museum in patchouli and musk, and created a Japanese soundtrack to accompany the show, the exhibition is a perfect example of the blend of fashion, art, commerce and...

Mary Wollstonecraft, feminist heroine sans pareil, didn’t approve of heroines. Great Women – or ‘icons’, as Elaine Showalter prefers to call the three centuries’...

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Sergeant Jones’s Sleeping-Bag

Michael Ignatieff, 17 July 1997

It adds greatly to the glamour of this book that its author was threatened for having written it. Her offence was to argue that many of the passing media events of our culture – chronic...

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Seven Veils and Umpteen Versions

Maria Tippett, 30 January 1992

I recently attended a lavish production of Richard Strauss’s opera Salome at the Staatsoper in Vienna. Directed by Boleslav Barlog, sung by the diva Mara Zampieri, and staged, in keeping...

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Separate Development

Patricia Craig, 10 December 1987

The fuss about gender continues. Feminist criticism has gone off in several odd directions lately, resorting more and more to jargon of the gynocentric, phallogocentric variety, and positing a...

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Dazeland

Andrew Scull, 29 October 1987

Most recent work on the history of psychiatry has tended to focus on the history of institutions, of ideas, and of the psychiatric profession itself, and to ignore those for whom this vast...

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