Edmund Gordon is the author of The Invention of Angela Carter. He teaches creative writing at King's College London.
Sarah Perry was raised a Strict Baptist, with a number of exotic beliefs – in the literal existence of the devil, the creation of the earth in six days, the sinfulness of women wearing trousers – whose most visible legacy is her interest in ethical and existential questions. That makes her rare among her generation of British writers. She abandoned the sect in her twenties over...
What Leonora Carrington remembered most clearly about being a debutante in 1935 was her tiara ‘biting’ into her skull. In her short story ‘The Debutante’, the teenage narrator hates balls, ‘especially when they are given in my honour’ (Carrington’s parents threw one for her at the Ritz), so she engages a hyena to take her place: the animal is about...
Colum McCann has described Jim Crace as ‘quite simply, one of the great writers of our time’, Aleksandar Hemon as ‘quite frankly, the greatest writer of our generation’, and Nathan Englander as ‘quite simply, one of the very best we have’. He has called Emma Donoghue ‘one of the great literary ventriloquists’ and John Boyne ‘one of the...
Keith Ridgway used to be compared to John McGahern for his dourly lyrical stories of a changing Ireland. (‘Fr Devoy nodded his head and sipped his tea and waited. He watched the sky move and thought he saw rain in the distance but could not be sure.’) That stopped with the publication of his third novel, Animals, in 2006. It begins with a 19-page description of poking a dead mouse...
Edmund Gordon, who has written a biography of Angela Carter, introduces Carter’s landmark collection of short stories, The Bloody Chamber.
Rick Moody remembered his first encounter with Carter at a creative writing seminar: ‘Some young guy in the back … raised his hand and, with a sort of withering scepticism, asked, “Well, what’s...
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