Edmund Gordon

Edmund Gordon is the author of The Invention of Angela Carter. He teaches creative writing at King's College London.

Porno Swagger: ‘Cleanness’

Edmund Gordon, 16 April 2020

InU&I (1991), his book about John Updike, Nicholson Baker imagines explaining the appeal of Alan Hollinghurst’s The Swimming-Pool Library to his literary hero. ‘You know, once you get used to the initially kind of disgusting level of homosexual sex, which quickly becomes really interesting as a kind of ethnography, you realise that this is really one of the best first...

Letter

Not a Woman in Flight

3 January 2019

Sarah Perry writes that her novel The Essex Serpent ‘doesn’t specify the year in which it is set’ (Letters, 24 January). The cover of my paperback edition does: ‘1893’. By then, Perry says, women had for several years ‘been admitted to the universities of Oxford and Cambridge’. But they couldn’t actually matriculate at Oxford until the 1920s, or at Cambridge for many years after that....

Helter-Skelter: ‘Melmoth’

Edmund Gordon, 3 January 2019

Sarah Perry​ was raised a Strict Baptist, with a number of exotic beliefs – in the literal existence of the devil, the creation of the earth in six days, the sinfulness of women wearing trousers – whose most visible legacy is her interest in ethical and existential questions. That makes her rare among her generation of British writers. She abandoned the sect in her twenties over...

Save the feet for later: Leonora Carrington

Edmund Gordon, 2 November 2017

What​ Leonora Carrington remembered most clearly about being a debutante in 1935 was her tiara ‘biting’ into her skull. In her short story ‘The Debutante’, the teenage narrator hates balls, ‘especially when they are given in my honour’ (Carrington’s parents threw one for her at the Ritz), so she engages a hyena to take her place: the animal is about...

The Hero Brush: Colum McCann

Edmund Gordon, 12 September 2013

Colum McCann has described Jim Crace as ‘quite simply, one of the great writers of our time’, Aleksandar Hemon as ‘quite frankly, the greatest writer of our generation’, and Nathan Englander as ‘quite simply, one of the very best we have’. He has called Emma Donoghue ‘one of the great literary ventriloquists’ and John Boyne ‘one of the...

A New Kind of Being: Angela Carter

Jenny Turner, 3 November 2016

Rick Moody remembered his first encounter with Carter at a creative writing seminar: ‘Some young guy in the back … raised his hand and, with a sort of withering scepticism, asked, “Well, what’s...

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