David Trotter

David Trotter is emeritus professor of literature at Cambridge. Brute Meaning, a book of essays, some of which were first published in the LRB, came out in 2020.

In the years since their publication in 1948, Ezra Pound’s Pisan Cantos have given rise to interpretative bad faith on a scale unusual even by the lofty standards of literary criticism. The reason for this is not some special failing on the part of Pound’s adherents, but rather the burden of expectation laid from the outset on a sequence of 11 poems written in the US Army’s...

His name was Franz Kafka, and he quite often went to the movies. Some such statement constitutes both the basis of Kafka Goes to the Movies and its primary impediment: the rock it has to roll up the hill. According to Max Brod, his lifelong friend and first editor and biographer, Kafka loved the movies; at times, Brod reported, he would talk about little else. For the most part, however,...

McTeague’s Tooth: Good Fetishism

David Trotter, 20 November 2003

When Robinson Crusoe tries to convey what it felt like to be the sole survivor of a shipwreck, he finds himself at almost as much of a loss now, in the telling, as he was then, gloomily pacing the shoreline of an uncharted and to all appearances inhospitable island; until, that is, objects come to his rescue. He cannot describe the ‘thousand gestures and motions’ he made, in his...

Platz Angst: On Agoraphobia

David Trotter, 24 July 2003

The last three decades of the 19th century were phobia’s belle époque. During this first phase of investigation there was, it must have seemed, no species of terror, however febrile, which could not talk its way immediately into syndrome status. In 1896, Théodule Ribot spoke of psychiatry’s inundation by a ‘veritable deluge’ of complaints, ranging from the...

Apoplectic Gristle: Wyndham Lewis

David Trotter, 25 January 2001

The day he first met Wyndham Lewis, shortly after the end of the First World War, Ernest Hemingway was teaching Ezra Pound how to box. The encounter took place in Paris, where Pound had a studio, and Lewis, impassive beneath his trademark wide black hat, seemed content to watch in silence. ‘Ezra had not been boxing very long and I was embarrassed at having him work in front of anyone he...

Hauteur: ‘Paranoid Modernism’

Adam Phillips, 22 May 2003

What is now called trauma theory informs contemporary biography as much as it does the academic practice of literary history. Belief in trauma as a kind of agency, as a cultural force – in...

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Spitting, Sneezing, Smearing: Messy Business

Marjorie Garber, 10 August 2000

Once, recycling was a way of life, conducted without civic ordinances, highway beautification statutes, adopt-a-motorway programmes or special bins for paper, glass and metal. Until the mid-19th...

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Reading Cure

John Sutherland, 10 November 1988

The Wellesley Index originated in its founding editor Walter Houghton’s The Victorian Frame of Mind, 1830-1870 (1957), a manual which was influential among students of the Sixties....

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Fit and Few

Donald Davie, 3 May 1984

‘Fit audience, though few,’ said Milton; and thereupon declared the terms in which the issue of reader-response would be considered by poets from his day to ours. The widely-read...

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On Aetna’s Top

Howard Erskine-Hill, 4 September 1980

So Pope wrote in 1737, since which time Cowley has passed almost entirely into the hands of academic literary historians, whose chief service to him has been the rediscovery of his unfinished...

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