David Trotter

David Trotter is emeritus professor of literature at Cambridge. Brute Meaning, a book of essays, some of which were first published in the LRB, came out in 2020.

Stainless Steel Banana Slicer

David Trotter, 18 March 2021

Agimmick​ is a gadget that flatters to deceive. It reminds us of the difference between what we need and what we can be persuaded to want. Raspberry mojitos hint at arcadia, but they’re never going to taste as good as the ones nobody thought to add raspberries to. An ironing board is a plank with a collapsible undercarriage right up until the moment you try to replace the one you have...

Head in an Iron Safe: Dickens’s Tricks

David Trotter, 17 December 2020

What​ most distinguishes Dickens’s novels from those by almost any other writer, and from life, is that hardly anything in them ever recedes entirely into the background. Dickens fought long and hard against the human tendency to focus exclusively on what is of immediate pressing concern in any given situation. His often anodyne protagonists have to compete for our attention with the...

Charlot v. Hulot: Tativille

David Trotter, 2 July 2020

Charlie Chaplin​ had already starred in 41 films before he became an icon, universally recognisable by his appearance, mannerisms and pattern of behaviour. A lot happens in these films, mostly having to do with the hero’s pursuit of basic needs (food, money, sex, status) through the exercise of a kind of flighty, Zen belligerence. In Kid Auto Races at Venice (1914), a cameraman’s...

Stir and Bustle: Corridors

David Trotter, 19 December 2019

In​ the original film noir, John Huston’s Maltese Falcon (1941), private investigator Sam Spade (Humphrey Bogart) visits criminal mastermind Kasper Gutman (Sydney Greenstreet) in his San Francisco hotel room to discuss the delivery of a mysterious ornament. The elevator attendant points him in the direction of Room 12c. After some cagey preliminaries, Spade delivers a ferocious...

Diary: Bearness

David Trotter, 7 November 2019

If​ there is a god of small things, it could be said to have taken up residence, for a while at least, in a remote valley in the northern highlands of Vietnam. A lush forest canopy spreads evenly up the slopes of the surrounding hills. On the valley floor sits a group of five single-storey concrete sheds with corrugated iron roofs, each opening onto a broad grassy enclosure. Dotted among the...

Hauteur: ‘Paranoid Modernism’

Adam Phillips, 22 May 2003

What is now called trauma theory informs contemporary biography as much as it does the academic practice of literary history. Belief in trauma as a kind of agency, as a cultural force – in...

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Spitting, Sneezing, Smearing: Messy Business

Marjorie Garber, 10 August 2000

Once, recycling was a way of life, conducted without civic ordinances, highway beautification statutes, adopt-a-motorway programmes or special bins for paper, glass and metal. Until the mid-19th...

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Reading Cure

John Sutherland, 10 November 1988

The Wellesley Index originated in its founding editor Walter Houghton’s The Victorian Frame of Mind, 1830-1870 (1957), a manual which was influential among students of the Sixties....

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Fit and Few

Donald Davie, 3 May 1984

‘Fit audience, though few,’ said Milton; and thereupon declared the terms in which the issue of reader-response would be considered by poets from his day to ours. The widely-read...

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On Aetna’s Top

Howard Erskine-Hill, 4 September 1980

So Pope wrote in 1737, since which time Cowley has passed almost entirely into the hands of academic literary historians, whose chief service to him has been the rediscovery of his unfinished...

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