David Trotter is emeritus professor of literature at Cambridge. Brute Meaning, a book of essays, some of which were first published in the LRB, came out in 2020.
In the original film noir, John Huston’s Maltese Falcon (1941), private investigator Sam Spade (Humphrey Bogart) visits criminal mastermind Kasper Gutman (Sydney Greenstreet) in his San Francisco hotel room to discuss the delivery of a mysterious ornament. The elevator attendant points him in the direction of Room 12c. After some cagey preliminaries, Spade delivers a ferocious...
If there is a god of small things, it could be said to have taken up residence, for a while at least, in a remote valley in the northern highlands of Vietnam. A lush forest canopy spreads evenly up the slopes of the surrounding hills. On the valley floor sits a group of five single-storey concrete sheds with corrugated iron roofs, each opening onto a broad grassy enclosure. Dotted among the...
Towards the end of his time at Mack Sennett’s Keystone Studios, Charlie Chaplin began to direct as well as star in the short slapstick films that were the company’s staple product. The crucial event in one of these films, The New Janitor, which was released in September 1914, is the pressing of an electric button. It’s Charlie’s first day at work, and his...
‘But where does the Potemkin go?’ That, according to Sergei Eisenstein, was what the people who had just seen his most famous film really wanted to know. At the climax of the film, the battleship’s mutinous crew, having got rid of all its officers and intervened decisively in the first stirrings of revolt in the Black Sea town of Odessa, head out of harbour to confront...
Orwell may have become more important as a symbol than for anything he actually wrote. Both of these books seek to reverse that suspicion, one by tethering the symbol to some distinctly fallible human flesh, the other by subjecting Orwell’s political prose to the kind of scrutiny ordinarily reserved for the novels of Henry James.
David Trotter talks to Joanne O’Leary about the novels and stories of Elizabeth Bowen, from her weird families and idiosyncrasies of style, to her mastery of atmospherics and prescient use of technology...
What is now called trauma theory informs contemporary biography as much as it does the academic practice of literary history. Belief in trauma as a kind of agency, as a cultural force – in...
Once, recycling was a way of life, conducted without civic ordinances, highway beautification statutes, adopt-a-motorway programmes or special bins for paper, glass and metal. Until the mid-19th...
The Wellesley Index originated in its founding editor Walter Houghton’s The Victorian Frame of Mind, 1830-1870 (1957), a manual which was influential among students of the Sixties....
‘Fit audience, though few,’ said Milton; and thereupon declared the terms in which the issue of reader-response would be considered by poets from his day to ours. The widely-read...
So Pope wrote in 1737, since which time Cowley has passed almost entirely into the hands of academic literary historians, whose chief service to him has been the rediscovery of his unfinished...
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