Wilt ‘the Stilt’ Chamberlain, the former American basketball player, has three distinct claims to fame. First, there is the basketball, of which modest art he was, as his nickname suggests, a preternaturally gifted exponent. Then there is his much repeated claim to have slept with over ten thousand women during the course of his playing career, a boast which has generated fascination, disapproval and scepticism in equal measure, and transformed him, if such a thing is possible, into the Georges Simenon of the American locker-room, the object of a whole new kind of attention. And third, there is his improbable place at the heart of modern American political philosophy. It was, peculiarly, Wilt Chamberlain on whom the libertarian philosopher Robert Nozick chose to hang his full-blown critique of the interventionist state. The argument runs as follows. Imagine a society of perfect distributive justice according to any model you happen to prefer, in which everyone possesses precisely what they ought to possess for justice to prevail. Now imagine what happens when someone like Chamberlain comes along, the most exciting basketball player in the world (this was 1974, when Chamberlain was the most exciting player in the world, and his extra-curricular activities were a secret between him and a few thousand others). Large numbers of people want to watch him play, and are quite happy to pay $1 for the chance to do so, knowing that for every dollar they hand over he gets to keep 25c. No one in this just world minds the loss of a dollar, and no one thinks it unjust that some of it should go to the man who induced them to part with the money in the first place. During the course of a season, one million people pay to see Chamberlain play. He ends up with $250,000. He is now considerably better off than he would have been under the original model for the perfectly just society. Injustice has been born out of a series of perfectly just transactions. So, Nozick wants to know, what do you plan to do about it?
Artist Unknown: An Alternative History of the Arts Council by Richard Witts. In Praise of Commercial Culture by Tyler Cowen. Wilt ‘the Stilt’ Chamberlain, the former American basketball player, has three distinct claims to fame. First, there is the basketball, of which modest art he was, as his nickname...