David Edgar

David Edgar’s plays include The Life and Adventures of Nicholas Nickleby, which had a run time of more than eight hours, Maydays, The Prisoner’s Dilemma and Playing with Fire. He is the author of How Plays Work and set up an MA in playwriting at the University of Birmingham. Two new plays, Here in America and The New Real, will have their premieres later this year.

“When my father, Barrie Edgar, joined the BBC in 1946, its television service consisted of two studios at Alexandra Palace, and two outside broadcast units. Rising quickly from studio manager to the rank of outside broadcast producer, he spent his early years, in London and then in Birmingham, producing anything and everything: from seaside summer shows and circuses to race meetings and general election counts, from Muffin the Mule to the consecration of the new Coventry Cathedral. Rejecting a good financial offer to move to ITV in 1955, he saw many of his programmes hived off from outside broadcasts to specialised (and centralised) BBC departments; over the years, he lost the King’s College Christmas carols to Music, Songs of Praise to Religion and Come Dancing to London. He spent the last years of his 33-year BBC career producing a programme that might have seemed a broadcasting backwater, but which anticipated the trend towards the lifestyle shows that have dominated BBC2 for ten years: Gardeners’ World.

Stalking Out: After John Osborne

David Edgar, 20 July 2006

From within a few weeks of its opening in May 1956, it’s been accepted that John Osborne’s Look Back in Anger ushered in a theatrical revolution. Launching both the Angry Young Man and kitchen-sink drama, the play is held to have had a devastating and irreversible impact on a postwar theatre scene dominated by winsome drawing-room comedies and witless country-house whodunnits. At the time, the play and its message were anatomised in leading articles, discussed by school debating societies, and worried at in the pulpit. In retrospect, its first production at the Royal Court has become, in the words of Mark Ravenhill, the creation myth of the contemporary British theatre.

Ticket to Milford Haven: Shaw’s Surprises

David Edgar, 21 September 2006

As anyone who has directed a remake of King Kong knows, revisiting classics is a perilous business. However much you claim to stand on the shoulders of the mighty beast, you still risk ending up, like Fay Wray, squeezed in its paw. A.M. Gibbs spends most of the introduction to Bernard Shaw: A Life justifying his decision to return to a very well-ploughed furrow. But by citing no less than...

Much like the 1950s: the Sixties

David Edgar, 7 June 2007

Early in 1982, at the nadir of the fortunes of the first Thatcher government, a number of ministers sought to identify the causes of the riots that had erupted in British cities the previous summer. On 27 March, the prime minister herself blamed events in Brixton and Toxteth not on economic or political forces but on a decade. ‘We are reaping what was sown in the 1960s,’ she...

Who Will Lose?

David Edgar, 25 September 2008

This year’s presidential race is the first not to include a sitting president or vice-president as a candidate since Dwight Eisenhower fought Adlai Stevenson in 1952. For the first time, a woman or a black person is guaranteed national elective office in a country that historically has been resistant to both. The two parties are neck and neck in a race in which – unlike in 2000 or 2004 – there is likely to be substantial crossover of support between the two main parties. No surprise, then, that the cycle of presidential and vice-presidential debates – starting on 26 September in Mississippi and ending on 15 October in New York – is being seen as the decisive factor.

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