Colin Burrow

Colin Burrow is a fellow of All Souls College, Oxford. His books include Shakespeare and Classical Antiquity and Imitating Authors: Plato to Futurity, as well as editions of Ben Jonson, Shakespeare and the metaphysical poets. His first contribution to the LRB, in 1999, was on British and Irish poetry of the Civil War; he has since written more than seventy pieces for the paper, on subjects from Catullus and Virgil to Hilary Mantel and Ursula Le Guin.

From The Blog
25 March 2010

Shakespeare in the news. It’s always stuff that isn’t Shakespeare or stuff that Shakespeare isn’t, isn’t it? Shakespeare not by Shakespeare. What a bore. Shakespeare a Catholic. What a bore. Poems that Shakespeare didn’t write. Stylometric fingerprinting suggests to boffin and Dan Brown readers that a scholarly conspiracy has occluded The Truth, which is to be found by the chosen ones who can decipher the acrostics scribbled in the gents in the Middle Temple crypt. What a bore.

From The Blog
24 December 2009

1. Concern has been expressed about the proposal to deploy research ‘impact’ as a criterion for allocating resources to UK Higher Education Institutions (HEIs) under the new Research Excellent Framework. A small group of disaffected scholars with limited understanding of knowledge-capital markets have claimed that ‘impact’ will be impossible to assess objectively and will disadvantage some disciplines and institutions. 2. We regard impact as a visionary concept, essential to fair and transparent funding-distribution within a modern HE environment, and would urge that it become the sole criterion for the Research Excellence Framework. 3. An interdisciplinary team here at the University of Southern Comforts has developed a modest proposal to develop an Impactometer™,

From The Blog
24 November 2009

Deep in our collective memories are those 1970s album covers, you know the ones: a dwarf in one corner, a strong man in eyeshadow in another, and somewhere in the middle of it all, but still in the shadows and probably in a leotard, is the artist formerly known as Bob, George, or whoever it was. Their spirit lives on in Bob Dylan’s Christmas video. Bob, well he’s always been a cussed so-and-so, and part of the game of being Bob is to do whatever your fans really don’t want, and then watch them twisting themselves around so that they can still love you in spite of it all.

Don’t break that fiddle: Eclectic Imitators

Tobias Gregory, 19 November 2020

The boundary between the broader and narrower senses has never been firm, and the history of literary imitation has always been bound up with the histories of philosophy, rhetoric and education. Plato,...

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I must needs acknowledge, that the Greeke and Latine tongues, are great ornaments in a Gentleman, but they are purchased at over-high rate. Montaigne, Essays I grew up​ in postwar...

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Mr Who He? Shakespeare’s Poems

Stephen Orgel, 8 August 2002

In his own time, Shakespeare was much better known to the reading public as a poet than as a playwright. Venus and Adonis went through ten editions before his death in 1616, and another six...

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