C.K. Stead

C.K. Stead is New Zealand’s poet laureate.

Poem: ‘Between’

C.K. Stead, 22 December 1983

Twirling an angry necklace on her fingers under the     lamp she was saying she couldn’t stand her teachers or her mother or her life and on the other     couch her mother who said she had sulked all afternoon was saying ‘Why hasn’t anyone any      pity for me?’ and that she was so tired she could scream...

Diary: A New Zealander in London

C.K. Stead, 18 October 1984

Finding the sun pouring in through our London kitchen window K puts a chair in place and settles with a book. She expects the sun to rise to the left where there is plenty of sky. It doesn’t. It goes off to the right and disappears behind trees. When you come from the Southern Hemisphere you’re used to the idea that the seasons are reversed – summer in August, winter at Christmas. You’re prepared for it before you ever cross the Equator. All the literature tells you of it – the seasons as they occur in books rather than in ‘reality’; and our Christmas cards in New Zealand still sometimes show fir trees and snow. But in all the years of coming half-way around the world (I’ve now crossed the Equator 17 times) I don’t remember noticing this peculiar habit of the Northern sun. Because I’m not of a scientific bent it takes some hasty diagrams to convince myself that we haven’t made a mistake. But of course it’s true. If you imagine a stick figure in the Northern Hemisphere looking down the globe towards the sun’s path around the Equator, the sun moving east to west rises at the figure’s left and sets at his right hand. A corresponding figure in the Southern Hemisphere, looking north to the Equator, will see the sun rise from the right and pass over to the left – hence K’s (and my) expectation in our London kitchen.’

Letter

Maoriness

21 November 1985

SIR: My letter on the subject of The Bone People (Letters, 5 December 1985) was derived from an article written for a Canadian journal over a year ago: so Rod Edmond (Letters, 23 January) is wrong when he suggests that my discussion of the Pegasus Award is offered as an analogue for the Booker Prize. I am often puzzled by the Booker short list (why did A.S. Byatt’s Still Life not make it in 1985?)...

In my game (and yours, reader) it was always the Frogmen had the clever theories. We did the dirty work

using the English language like a roguish trowel. Tonight, two rubberised heads have set their Zodiac on course

from Okahu Bay. Past the container port, around Marsden Wharf, they’re ferrying a transitive verb

called Bomb. In a hired campervan a man and a woman smoke, check their...

Letter

Modernisms

22 May 1986

SIR: Frank Kermode’s letter (Letters, 3 July) is no more a reply to mine than his review was a review of my book, Pound, Yeats, Eliot and the Modernist Movement. The first half of the book works its way through to a detailed study of the composition of The Waste Land, including the Pound-Eliot collaboration. The second half moves towards an analysis of how the Pisan Cantos works as a poem, and how...

Apocalyptic Opacity

Frank Kermode, 24 September 1992

The title sounds apocalyptic, but all it means on the face of it is that this novel is set in New Zealand now. Doubtless it could be interpreted as having other implications, and there is some...

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Spivsville

Jonathan Bate, 27 July 1989

In Book Two of Disraeli’s Sybil, or The Two Nations the hero meets two strangers in the ruins of an abbey. One of them claims that the monasteries represented the only authentic communities...

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Liza Jarrett’s Hard Life

Paul Driver, 4 December 1986

Of the five new novels grouped here, only one, I think, breathes something of that ‘air of reality (solidity of specification)’ which seemed to Henry James ‘the supreme virtue...

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Modernisms

Frank Kermode, 22 May 1986

The advantages and disadvantages of modernity have long been canvassed, so that you could say the topic is ancient. Pancirolli wrote a very popular book on it in the 16th century, and it was...

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Signora Zabaggy

Michael Rose, 2 August 1984

Let’s begin with ‘Let’s begin with the tea towel.’ Thus Professor Curl Skidmore, narrator of C.K. Stead’s All Visitors Ashore, announcing his presence in a text...

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