Benjamin Markovits

Before Mark Costello became a writer he was a federal prosecutor. His first book, Bag Men (1997), was set in 1960s Boston. A priest is murdered on the runway at Logan. A new ultra-pure drug is killing the hippies in Cambridge; another one is sending them mad. The hero, just finished at Boston College Law School, explains to his wife why he wants to be a DA: they ‘help people...

An Englishman landing in Austin will suffer the usual disappointments of arrival. The new airport, just out of town to the south-east, lies in the middle of nothing much. It is expensively spacious, marbled, lit. But even its newness is suggestive of somewhere slightly out of the way: the cleanness of manageable traffic. Nor, as he steps outside, will he find much to impress him. The volume...

The relationship between Byron and his editor John Murray lasted a little over ten years. It began in March 1812 with the publication of Childe Harold’s Pilgrimage, which made Byron’s name. (‘I awoke one morning and found myself famous,’ he famously wrote, or is said to have written.) It ended twice: first, in the winter of 1822, when, after a number of disagreements and misunderstandings, Byron transferred his business to the publisher John Hunt; and finally in the spring of 1824, when Murray presided over the destruction of Byron’s memoirs, which he had not read, in his rooms at 50 Albemarle Street.

In the fourth section of The Emigrants, W.G. Sebald (or rather, his narrative alter ego) travels back to Germany from Norwich to look into the childhood of Max Ferber, an artist based loosely on Frank Auerbach. At 15 Ferber had been sent to England by his parents, who were eventually murdered in the camps at Riga. Sebald finds the silence of the people he encounters weird and unsettling:...