Barbara Everett

Barbara Everett is an emeritus fellow in English at Somerville College, Oxford. Her books include Poets in Their Time and Young Hamlet: Essays on Shakespeare’s Tragedies. She published editions of Antony and Cleopatra and All’s Well That Ends Well, as well as writing many influential essays on the plays. Among her subjects in the LRB have been Shakespeare’s romances, the Sonnets, Hamlet, The Winter’s Tale, Measure for Measure and Falstaff. Her selected pieces for the LRB will be published later this year.

If we speak of ‘Shakespeare’s Sonnets’, we mean a collection with this name first published in 1609, when Shakespeare was 45 and most of his plays had been staged; he died only seven years later. The 1609 text is the only authentic source for all the editions of Shakespeare’s Sonnets published since. So much is problematic about this first edition that it is best to...

Jacobean England had its own royal catastrophe when, in 1612, the heir to the throne, Prince Henry, died of typhoid at the age of 18. It even had its lost princess when, in the next year, his sister Elizabeth, afterwards known as the Queen of Hearts, married Frederick V, the Elector Palatine, and disappeared into a long and fairly inglorious future. Both events linger on in the shadowy...

A Lethal Fall: Larkin and Chandler

Barbara Everett, 11 May 2006

Philip Larkin gave the name High Windows to what proved to be his last collection of verse (published in 1974, 11 years before he died). The phrase had been used as the title of one of the poems included, and also occurs at the poem’s end:

the thought of high windows: The sun-comprehending glass, And beyond it, the deep blue air, that shows Nothing, and is nowhere, and is endless.

...

Whirligig: Thinking about Hamlet

Barbara Everett, 2 September 2004

‘Hamlet’ is perhaps the most popular literary work ever put down on paper. This does not necessarily make it any easier to see clearly, or to come to terms with intellectually. This is especially so in a period when scholars say that there is no Hamlet, clear or not: there are only the incompatible early editions and the abundance of theatre productions ever since. I think myself...

Most modern editions of The Winter’s Tale explain – and rightly – that its title is an Elizabethan phrase indicating scepticism, the equivalent to our ‘romantic nonsense’. The work is underwriting its own lightness, its randomness. But not without irony; for the title has a further dimension. It is oddly literal: the play begins in winter. (Even Romance times and...

Talking about Shakespeare

Frank Kermode, 28 September 1989

Barbara Everett’s book consists of her four Northcliffe Lectures, given at University College London in 1988, on Hamlet and the other ‘major’ tragedies, together with a number...

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Everett’s English Poets

Frank Kermode, 22 January 1987

Faced with the average book of modern literary criticism, the reviewer may wisely resolve to say nothing about the author’s skills as a writer of prose. If they ever existed, they would...

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