August Kleinzahler

August Kleinzahler’s collections include Green Sees Things in Waves; The Strange Hours Travellers Keep, which won the Griffin Poetry Prize; Sleeping It Off in Rapid City, which won the National Book Critics Circle Award; The Hotel Oneira and Snow Approaching on the Hudson. His memoir of his childhood in New Jersey, Cutty, One Rock, came out in 2005. Much of it first appeared in the LRB, as did many of the pieces included in Sallies, Romps, Portraits and Send-Offs: Selected Prose 2000-2016.

From The Blog
17 February 2016

Sixteen years ago, during the Republican primary campaign, John McCain went into South Carolina with a five-point lead over George W. Bush, having enjoyed a decisive victory in New Hampshire. A certain party with no official links to the Bush campaign organised a phone poll, asking: ‘Would you be more or less likely to vote for John McCain if you knew he had fathered an illegitimate black child?’ (McCain had taken his adopted daughter, who was born in Bangladesh, on the campaign trail.) It worked like a top for the Bush team. McCain lost the South Carolina primary by eleven points and never recovered. While the smear campaign was underway, during a break in a televised debate between the two candidates, Bush took McCain’s arm and assured him that he, Bush, would never countenance a dirty manoeuvre. ‘Don’t give me that shit,’ McCain told him. ‘And take your hands off me.’

On Hiroaki Sato: Hiroaki Sato

August Kleinzahler, 21 January 2016

The act​ of making a poem – and it is a made thing, like an Assyrian brooch or Bolognese sauce (thus the word makar for ‘poet’ in old Scots) – requires a large set of decisions, at least dozens, more likely hundreds, even in the shortest of poems. The translation of a poem from one language to another requires a large and not dissimilar range of decisions or, slender...

At the Rob Tufnell Gallery: Christopher Logue

August Kleinzahler, 5 November 2015

Christopher Logue​ dwelled in a state of perpetual agitation that ranged from unbridled curiosity and enthusiasm to unbridled indignation and exasperation. If one were to find him at rest between the two poles, one wouldn’t have to wait long for the weather to shift dramatically. He was like that when I first met him in Melbourne, sometime in the 1980s, when he was sixty or so, and...

From The Blog
31 July 2015

At the local fromagerie here in Montreal the other day my meagre store of French quickly exhausted itself, I think while discussing the desired thickness of the jambon about to be sliced. ‘S’il vous plait,’ I said meekly, ‘parlez-vous anglais?’ The proprietor, a tall, sturdily built man in his mid-fifties, gave me a gimlet-eyed, appraising look, then shrugged: ‘Where are you from?’ Had I said Toronto, I don’t know that he would have spat on the floor and thrown me out but I doubt he’d have continued in English. ‘Je viens de San Francisco,’ I said. And we were off to the races, discussing Quebec cheeses, charcuterie, what have you.

All the girls said so: John Berryman

August Kleinzahler, 2 July 2015

As John Berryman tells it, in a Paris Review interview conducted in 1970, he was walking to a bar in Minneapolis one evening in the mid-1950s with his second wife, Anne, the two of them joking back and forth, when Berryman volunteered that he ‘hated the name Mabel more than any other female name’. Anne decided Henry was the name she found ‘unbearable’. For a long time afterwards, ‘in the most cosy and affectionate lover kind of talk … she was Mabel and I was Henry.’ Not long after that Berryman began to write his Dream Songs with a song he later ‘killed’.

The poems in Live from the Hong Kong Nile Club are taken from August Kleinzahler’s first six publications. All were small press books with relatively limited circulations – the first,...

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Cheesespreadology

Ian Sansom, 7 March 1996

In a power-rhyming slap-happy parody of Thirties doom-mongering published in 1938 William Empson famously had ‘Just a Smack at Auden’: What was said by Marx, boys, what did he...

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